Reviews
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‘Full Phil’ Review: Kristen Stewart Eats Woody Harrelson Up in Quentin Dupieux’s Slight, Silly Farce
Cannes 2026: Tim Heidecker and Eric Wareheim also star as a duo investigating a monster in a movie within the movie
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‘Paper Tiger’ Review: James Gray Delivers a Thriller Bursting with Danger … and Heart
Cannes 2026: Miles Teller, Scarlett Johansson and Adam Driver star as family members who get tangled up with Russian gangsters
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‘The Beloved’ Review: Javier Bardem Gets His Own Chaotic Evil Version of ‘Sentimental Value’
Cannes 2026: A father and daughter with a strained relationship making a movie together — what could possibly go wrong?
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‘Sheep in the Box’ Review: Japanese Film About Grief and Parenting is a Lo-Fi Stunner
Cannes 2026: Hirokazu Kore-eda’s take on sci-fi constantly finds ways to surprise
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‘Clarissa’ Review: Sophie Okonedo Is Outstanding In Riveting Reimagining of Virginia Woolf’s ‘Mrs Dalloway’
Cannes 2026: The film, which also stars Ayo Edebiri, David Oyelowo, and many more, breathes new life into an old story
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‘Gun-Che (Colony)’ Review: This Zombie Actioner Could Make a Great Video Game, But Is a Disappointing Film
Cannes 2026: Despite some wincing sound and production design, Yeon Sang-ho fails to deliver the highs of his best zombie projects
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‘Gentle Monster’ Review: Léa Seydoux Ponders Moral Duties in Chilling, Emotional Drama
Cannes 2026: Seydoux plays a woman whose husband is arrested for a horrible crime
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‘In the Grey’ Review: Jake Gyllenhaal and Henry Cavill Star in ‘Generic Action Movie: The Movie’
Eiza González co-stars in a Guy Ritchie flick about cool people with no personalities doing cool things that don’t matter
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‘Propeller One-Way Night Coach’ Review: John Travolta’s Directorial Debut Is a Disaster
Cannes 2026: The actor has been a part of many classic movies, but his latest film is memorable only for its misfires
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‘John Lennon: The Last Interview’ Review: Steven Soderbergh Says All You Need Is Love… and AI
Cannes 2026: Soderbergh illustrates an intimate radio interview with the dizzying use of still photos, archival footage and a little help from his Meta friends
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‘Karma’ Review: Marion Cotillard Fights Her Way Out of Hell in Uneven Religious Cult Thriller
Cannes 2026: Guillaume Canet’s treatise on religious exploitation feels like a sermon we’ve heard one too many times
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‘Club Kid’ Review: Jordan Firstman’s Sincere Yet Vain Dramedy Radiates Queer Joy
Cannes 2026: This outing through New York City’s club scene is heartwarming where it counts
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‘All of a Sudden’ Review: Forget the Title, This Ryusuke Hamaguchi Movie Takes Its Time
Cannes 2026: The director of “Drive My Car” defaults to moody resonance over explanation at every turn in his talky drama
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‘Well, I’ll Let You Go’ Off Broadway Review: A Flawed Gem About a Widow’s Grief Ultimately Glistens
Bubba Weiler’s new drama is an unusual examination of the stages of grief with a completely satisfying performance from Quincy Tyler Bernstine
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‘Parallel Tales’ Review: Asghar Farhadi Reckons With Being a Steward of Stories Real and Imagined
Cannes 2026: Led by a dynamic Isabelle Huppert, the secret lives of sound engineers are on full display in this psychosexual drama
