Reviews
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‘Silence’ Review: Martin Scorsese’s Passion Project Is a Fascinating, Flawed Endurance Test
Andrew Garfield and Adam Driver star as Jesuit priests in feudal Japan in a long, evocative and beautifully shot trial of the soul
By
Robert Abele -
‘Assassin’s Creed’ Review: Michael Fassbender Flounders in Another Bad Video-Game Movie
Reteaming with his “Macbeth” co-star (Marion Cotillard) and director, Fassbender’s latest tries and fails to break the game-to-film curse
By
Michael Nordine -
‘Barry’ Review: Sharp Indie Focuses on College-Age Obama
The future president’s first year at Columbia makes for a winning portrait of searching and struggling with one’s place in the world
By
Robert Abele -
‘Fences’ Review: Denzel Washington and Viola Davis Take Center Stage
Washington’s third directorial effort is his surest yet, honoring August Wilson’s powerful evocation of an African-American patriarch in 1950s Pittsburgh
By
Robert Abele -
‘Neruda’ Review: Gael García Bernal Pursues Poetry and Politics
Pablo Larrain (“Jackie”) takes a surrealist approach to poet Pablo Neruda’s public and artistic lives in this non-traditional biopic
By
Claudia Puig -
‘Collateral Beauty’ Review: Will Smith and All-Star Cast Collide in Sentimental Trainwreck
Talented actors are reduced to quivering lips and puddles of tears in a hokey tale of loss and interconnectedness
By
Dan Callahan -
‘All We Had’ Review: Katie Holmes’ Directorial Debut Is Strictly by the Book
The actress works both sides of the camera in this cliché-riddled tale of a mother and daughter rambling through life
By
Tricia Olszewski -
‘Incarnate’ Review: Aaron Eckhart Never Excites as an Exorcist
This half-baked horror flick is a maddening hodgepodge of ideas that range from undercooked to unoriginal
By
Sam Fragoso -
‘Jackie’ Review: Natalie Portman Provides Glimpses, But Not the Life, of Mrs. Kennedy
Director Pablo Larrain’s impressionistic portrait of JFK’s widow mixes familiar images and intrusive moments that don’t quite add up
By
Claudia Puig -
‘Mifune: The Last Samurai’ Review: Martin Scorsese, Steven Spielberg Honor Japanese Cinema Legend
Toshiro Mifune and his unforgettable collaborations with Akira Kurosawa are recalled in this celebratory doc about the indelible actor
By
James Greenberg -
‘Bad Santa 2’ Review: Billy Bob Thornton’s St. Nick Never Sounded So Sour
This numbingly repetitive holiday crime comedy is the most cynical of re-gifts
By
Dave White -
‘Allied’ Review: Brad Pitt and Marion Cotillard Rarely Intrigue as Spies in Love
Robert Zemeckis’ WWII espionage tale evokes classic Hollywood but struggles to balance glamour, suspense and starry romance
By
Robert Abele -
‘Bleed for This’ Review: Miles Teller Can’t Punch His Way Out of a Routine Boxing Movie
True story of Vinny Pazienza has lots of potential, almost none of which is realized in Ben Younger’s biopic
By
Claudia Puig -
‘Best Worst Thing’ Review: Sondheim’s Beloved Flop Recalled in ‘Merrily’ Bittersweet Documentary
Original “Merrily We Roll Along” cast member Lonny Price revisits Stephen Sondheim’s notorious classic and captures something timeless about showbiz ecstasies and agonies
By
Robert Abele -
‘Manchester by the Sea’ Review: Casey Affleck Excels in Mournful Family Tale
A New England fishing town is the chilly backdrop for Kenneth Longergan’s psychologically astute, beautifully acted story of one man’s crushing grief
By
Robert Abele














