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‘Mean Girls,’ ‘Beekeeper’ in No. 1 Box Office Duel With $7.3 Million on Anemic Weekend
With no new releases, top 5 remains unchanged as overall totals sink to $59 million for the weekend
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Beyond ‘Barbenheimer’, This Year’s Best Picture Nominees Didn’t Leave a Big Box Office Footprint | Analysis
90% of all grosses for this year’s Oscar-nominated films came from Greta Gerwig and Christopher Nolan’s summer hits
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At Sundance, Indie Film Struggles to Find a Working Business Model
The word all across the festival was that streamers are less interested in independent film than a few years ago
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Behind Scott Stuber’s Netflix Exit: A Battle Over Theatrical and Costly Disappointments
The chairman of Netflix Films frequently pushed for longer theatrical windows, including an experiment for “Glass Onion” that failed to happen
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‘Ted’ Series Debuts on Streaming Top 10 Amid Record Weekend for Peacock
Harlan Coben’s Netflix thriller “Fool Me Once” notches second week at No. 1
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Why Are Studios Hiding the Fact That Their Musicals … Are Musicals?
Marketing campaigns for “Mean Girls” and “Wonka” avoided musical elements as Hollywood seeks to broaden appeal
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Do the Math: Production Accountant Shortage Equals New Hollywood Careers
“Accounting is usually not the way in” to the film business, says Nancy Rae Stone of the California Film Commission
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Sundance Market Preview: Strike Fallout Hits Park City
“People have become more thoughtful on the sales and the buyer side,” Christine D’Souza Gelb tells TheWrap
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Spanish Thriller ‘Society of the Snow’ Hits Netflix’s Most Popular Non-English Films List After 11 Days
The J. A. Bayona joint joins the list of movies such as “Troll,” “Nowhere” and “The Platform”
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Harlan Coben Thriller ‘Fool Me Once’ Lands Netflix No. 1 on Streaming Top 10 | Charts
Amazon’s “Reacher” dropped from the top spot, while Denzel Washington thriller “The Equalizer 3” made a massive streaming debut
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Tom Cruise Ditches Paramount for Warner — What It All Means | Analysis
While a big win for WBD, for Paramount it means the loss of its most bankable star when the studio is ripe for acquisition
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‘Wonka’ Opens 2024 Box Office With $14.4 Million Weekend, 4th No. 1
“Night Swim” opens to $12 million following Blumhouse’s merger with Atomic Monster
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‘Wonka’ Earns 4th No. 1 Weekend With $15 Million at Box Office
Blumhouse’s “Night Swim” opens to $11 million as “Migration” and “Anyone But You” keep legging out
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2023 Box Office in Review: A Year Where Filmmakers Flourished and Franchises Failed
Universal and Barbenheimer were the biggest winners in a year where the domestic box office hit $9.05 billion
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Too Much TV: Streaming Demand Is Drowning in New Series | Chart
The path to streaming profitability will likely mean less content
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