Drew Taylor is a senior film reporter at TheWrap, writing broadly across topics including blockbuster films, production, animation and with a side passion for Hollywood’s theme parks. Before joining the site in 2021, Drew was a film journalist with a keen interest in animation and Disney history. Drew has been covering film, television and theme parks for 15 years, writing for the New York Times, the New York Daily News, Time Out New York, Collider, The Playlist, Polygon, Vulture, Box Office Magazine, AOL Travel and Syfy.
Experience:
Resides In:
Toluca Lake, California
Education:
Drew received his Bachelor of Arts degree in Literary Studies from Eugene Lang College of Liberal Arts at The New School in New York, New York.
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Offbeat Slasher Movies Will Always Have Their Day; ‘Halloween Ends’’ Time Will Come (Commentary)
Indifference to bold horror sequels will give way to appreciation if you wait long enough
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‘Creed III’: Michael B. Jordan and Jonathan Majors Pack a Punch in Boxing Sequel’s First Trailer (Video)
Michael B. Jordan returns to star and direct
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‘Smile’ Ending Explained: Put on a Happy Face
With commentary from director Parker Finn and star Sosie Bacon
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‘Halloween Ends’ Alternate Endings Would Have Killed Off This Major Character
You’ll never guess where this was headed
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The 25 Best New Movies to Stream in October 2022
From spooky delights to delightful romps and beyond
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‘Halloween Ends’ Ending Explained: Evil Dies Tonight
How does the new trilogy conclude?
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Roger Stone Says Jared Kushner Has an IQ of 70, Calls Ivanka Trump an ‘Abortionist Bitch’ in New Footage (Video)
The tantrum happened after he learned he wouldn’t be pardoned after Jan. 6
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‘Halloween Ends’ Director David Gordon Green Calls the Trilogy’s Unexpected Conclusion a ‘Quieter, Atmospheric Love Story’
The filmmaker also tells TheWrap whether he views Michael Myers as supernatural or not
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How ‘Mr. Harrigan’s Phone’ Writer-Director John Lee Hancock Invented Stephen King’s Favorite Scene
The “Saving Mr. Banks” filmmaker tells TheWrap how he won King’s approval to direct the adaptation
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How ‘Avatar’ Got a High Frame Rate Makeover That Actually Looks Great
TheWrap goes behind-the-scenes of the technology fueling the new re-release
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‘Turning Red’ Director Domee Shi Finds Fresh Ideas by Trusting Her ‘Weird Gut’
Innovators 2022: “If an idea is really, really weird and kind of shocking, I’ll just let it play out,” the Oscar winner tells TheWrap
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‘Hellraiser’ Ending Explained: Heavy Metal
Or: the pitfalls of making a deal with an inter-dimensional BDSM demon
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‘Hellraiser’ Director David Bruckner and Star Jamie Clayton Wanted to Bring Sexiness to the New Pinhead
Clayton also tells TheWrap she saw the original the night before her audition
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‘Werewolf by Night’ Director Michael Giacchino Dismantles Blade Cameo Rumors: ‘It Was a Thought But It Was Never a Thing’
The Oscar-winning composer also takes TheWrap behind the practical effects and B&W cinematography of the Marvel special
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‘Amsterdam’ Stars Christian Bale and Robert De Niro Still Love David O. Russell’s Unique Directing Style
“This is the most David film that I’ve ever come across,” Bale tells TheWrap