Golden Globes Relax Rules for Foreign-Language Films
In light of worldwide theater closings, films can now qualify for the Globes even if they don’t receive theatrical releases in their countries of origin
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‘Rewind’ Film Review: Family Tale of Sexual Abuse Is Wrenching and Essential
Sasha Joseph Neulinger’s devastating film tells a story of abuse that spans generations
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TV Academy Reiterates Oscar-Nominated Streaming Films Not Eligible for Emmys
Oscars ruled last month that non-theatrical release movies would be considered
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‘How to Build a Girl’ Film Review: This Time, Beanie Feldstein Comes of Age as a Mean British Rock Critic
Based on Caitlin Moran’s semi-autobiographical novel about becoming a teenage rock writer, the film is like “Almost Famous” if Cameron Crowe had been British, female and much snottier
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‘Clementine’ Film Review: Indie Relationship Drama Struggles to Be Involving
The quiet film starring Sydney Sweeney and Otmara Marrero threatens to turn into a love story or a coming-of-age, sexual-awakening drama, but it’s more subdued than that
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‘Becoming’ Film Review: Michelle Obama Plays Nice in Celebratory Documentary
In the Netflix film, the former first lady reserves her harshest words not for Donald Trump but for the black, young and women voters who helped him win the presidency by staying home
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‘Arkansas’ Film Review: Clark Duke’s Black Comedy Could Really Use a Big, Weird Audience
Clark Duke’s Dixie noir with Liam Hemsworth and Vince Vaughn was scheduled to premiere at SXSW, but now it must bring its deadpan absurdities to an isolation-friendly release
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‘The Half of It’ Film Review: ‘Cyrano de Bergerac’ Gets a Gay High School Spin
The Tribeca-winning film by writer-director Alice Wu takes the 120-year-old story to high school and mixes in emojis, diversity, immigration, LGBT issues and lots of other stuff
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‘All Day and a Night’ Film Review: Ashton Sanders and Jeffrey Wright Sing the Inner City Blues
“Black Panther” co-writer Joe Robert Cole directs an urban drama imbued with a steadfast fatalism
