‘Dolemite Is My Name’ Writers Explain the Secret to Great Biopics
TheWrap Oscar magazine: “The truth is stranger than fiction, so use as much of it as you possibly can,” Larry Karaszewski says
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‘Ford v Ferrari’ Writers Explain Their Policy: ‘Stick to the Truth, Not the Facts’
TheWrap Oscar magazine: “You do as much diligent research as you can, and then forget about it,” says Jez Butterworth of the approach he and John-Henry Butterworth took on the auto-racing drama
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How ‘The Two Popes’ Screenwriter Created Those Private Conversations in the Vatican
TheWrap Oscar magazine: “We don’t know really what happened,” writer Anthony McCarten says
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Golden Globes Nomination Film Predictions: ‘The Irishman,’ ‘Once Upon a Time in Hollywood’ … And What Else?
With voters split between dark movies like “Joker” and crowd-pleasing ones like “A Beautiful Day in the Neighborhood,” the Globes nominations are harder to predict than ever
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Hey, Oscars: Your Vote-Counting System Is Suddenly a Hot Trend in Political Elections
TheWrap Oscar magazine: Ranked-choice voting might seem complicated to Oscar voters, but six states will be using it in the Democratic primaries next year
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Taron Egerton on How ‘Rocketman’ Found Elton John’s Truth by Not Worrying About the Facts
TheWrap Oscar magazine: “I just wanted to capture the showman in him, the anger in him, the pain and vulnerability,” the actor says
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‘Les Miserables’ Director Says Things Haven’t Changed Much Since Victor Hugo’s Time
“A century later people are still miserable there,” Ladj Ly says of the Paris suburb where Hugo wrote his 1862 novel and Ly set his explosive new film of the same name
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Sorry, Oscar Voters: Here’s All the Swag They’re Not Allowed to Send You
‘Tis the season for lots of swag, as long as you’re not in the Academy
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‘Wild Rose’ Star Jessie Buckley Changed Her Mind About Country Music After Playing a Nashville Singer
TheWrap Oscar magazine: “I thought it was a bit hick,” the Irish actress says
