
How Mary Steenburgen Used Her ‘Actor Superpowers’ to Write a Song for ‘Wild Rose’
TheWrap Oscar magazine: “I can’t play guitar, but I can get ahold of scripts,” says the actress who has turned to songwriting in the last decade
TheWrap Oscar magazine: “I can’t play guitar, but I can get ahold of scripts,” says the actress who has turned to songwriting in the last decade
The world premiere of Eastwood’s drama about the 1996 Olympic bombing in Atlanta won raves in some circles, but the film could face significant obstacles with awards voters
TheWrap Oscar magazine: “Since we chose this profession, we cannot allow the animation industry to fail in China,” says director Yu Yang
TheWrap Oscar magazine: Director Maryam Touzani says the story of a young woman pregnant out of wedlock is based on a true story “that marked me very deeply — I kept her inside me for 15 years”
TheWrap Oscar magazine: “The wars that are fought now — Syria, Iraq, Afghanistan — are fought mainly in the shadows,” director Alejandro Landes says
With a week to go before Thanksgiving, the screener stream is not likely to let up
TheWrap Oscar magazine: “If you try to make a film out of a book and concentrate on what actually happens in the book, then you’re lost when it’s something as poetic as this,” Skarsgard says of the Norwegian Oscar entry
TheWrap Oscar magazine: Mati Diop (“Atlantics”) and Antoneta Kastrati (“Zana”) are two in a record number of women competing in this year’s Best International Feature Film category
TheWrap Oscar magazine: “When I decided to make a movie about people double-crossing each other, I said, ‘OK, I have to re-see noir films,'” says Romanian director Corneliu Porumboiu