Office With a View
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Lux Vide CEO Explains Why Being Acquired by Fremantle Was the Best Way Forward
Office With a View: Luca Bernabei tells TheWrap why a “federation of producers” will help them all survive coming economic hardships
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TV
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Bond CEO Explains What Goes Into Creating the ‘Fertile Ground’ for a Viral Marketing Campaign
Office With a View: “It’s really preparation meets exploration,” Seth Althoff tells TheWrap
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Media
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Fandom CEO to Streamers: Find Your Franchise and Extend the Experience Beyond the Screen
Office With a View: Meal delivery, anyone? Yes, the content is important but being creative with the brand is too, says Perkins Miller
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Available to WrapPRO members
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Why the FunMeter Duo Is Expanding From Docs About ‘Quirky Fraud Cases’ to Become ‘Full Service’ Producers
Office With a View: The team behind HBO’s “McMillions” and Apple TV+’s “The Big Conn” tell TheWrap they’re branching out
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TV
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Weigel Broadcasting Exec on the Return-to-Antennas Trend: ‘Younger People Think It’s an Illegal Hack’
Office With a View: The media company’s vice chairman, Neal Sabin, discusses how nostalgia TV grew during the pandemic
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TV
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Why the Creative Chief Behind ‘Queer Eye’ and ‘Legendary’ Rejects the ‘Niche’ Label
Office With a View: “We’re actually not as niche as you think we are,” Scout Productions’ Chief Creative Officer Rob Eric tells TheWrap
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News
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Why Veteran Syfy Exec Mark Stern Pivoted From TV to Podcasts: ‘I Got Very Disenchanted’
Office With a View: After decades in television, the former original content president is building the first audio studio dedicated to fantasy and sci-fi dramas
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Media
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‘Honey Boo Boo’ Producer Lauren Lexton Reveals the Key to Making a Hit Reality Show
“Audiences are savvy and they really know when something is real,” Lexton tells TheWrap in a new edition of Office With a View
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‘Real Housewives of Potomac’ EP Compares Upwardly Mobile, Old-Monied Cast to ‘Falcon Crest’
“The social grace, etiquette, class, these sorts of things are important,” True Entertainment co-founder Steven Weinstock says in new edition of The Wrap’s “Office With a View”
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Seeso Chief Evan Shapiro’s Streaming-Service Goal: Disrupt ‘Those That Have Been Disrupting’
“To a certain extent, they’ve become the very issue that they meant to solve,” NBCU exec tells TheWrap of Netflix, Hulu and Amazon
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Telemundo’s Luis Silberwasser Explains How ‘Empire,’ ‘Walking Dead’ Turned His Network Around
Pretending Hispanic Americans “don’t know what ‘The Sopranos’” is “is lunacy,” Luis Silberwasser tells TheWrap
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Dwayne Johnson’s Manager Dany Garcia Shares Duo’s Plans for Global Domination
“I’ve never met another individual who takes advantage of every opportunity that’s put in front of him,” Garcia tells TheWrap of Seven Bucks Productions co-founder and ex-husband in latest Office With a View
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‘Bridge of Spies’ Producer Marc Platt on Steven Spielberg’s Love of Americana, New ‘Mary Poppins’ Movie
“I’m lucky that I get to do the bigger movies and the smaller movies. Perhaps I have creative ADD,” veteran producer tells TheWrap in latest edition of Office With a View
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Funny or Die’s Production Chief on Why Will Ferrell-Adam McKay Project Isn’t ‘SNL,’ Billy Eichner’s Big Move
Mike Farah explains why Turner’s TruTV is a much better destination than Fuse for “Billy on the Street” in a new edition of The Wrap’s “Office With a View”
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Scooter Braun’s SB Projects COO Scott Manson on Why Music Is ‘Fastest Way’ to Break Into TV and Film
“You can find a record, break an artist, and they can become a global business where you can build relationships with all of these different people,” Manson says in a new edition of TheWrap’s “Office With a View”
