Columns
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Hot Docs, ‘Primetime’ Fever and More Lessons From the Fall Film Festivals
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Movies
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How ‘Widow’s Bay’ Went From Underdog to Emmys Juggernaut
The creepy comedy becomes the ninth different show in the last 10 years to win Outstanding Comedy Series
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TIFF So Far: Why Are They Still Buzzing About That Elizabeth Holmes Doc From Telluride?
TIFF 2026: Amid crowd-pleasers like “I Play Rocky” and “Being Heumann,” talk turns to the Nathan Fielder/Lance Oppenheim doc that isn’t playing here
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Rich Greenfield on AI’s Value in Investing — and Why Spotify Doesn’t Get Enough Credit
The Ledger: The Lightshed Ventures analyst pulls back the curtain on how AI is being used in some of the companies he’s invested in
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Business
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The Real AI Revolution in Hollywood Isn’t on Screen, It’s in the Supply Chain | Guest Column
AI is best used to speed up workflows rather than replacing creative vision
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How Hulu’s ‘Furious’ Went From Sleeper Hit to Mainstream Must-Watch
Plus, the return of “Ted Lasso” soars above Season 3 and Prime Video’s “Sterling Point” locks down the YA demo
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TV
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Final Emmy Predictions: Something Old, Something New, Something Blue
“The Pitt,” “Widow’s Bay” and “DTF St. Louis” seem to be the favorites going into Emmy night, but there will be surprises
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Veteran Filmmaker Barbara Kopple Returns to Worker Struggles in ‘Union Town’ Doc
Venice Film Festival: 50 years after “Harlan County, USA,” the acclaimed documentarian finds new stories to tell
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Does Fox Need Another Maria Bartiromo?
The Media Front: The speed with which Fox News replaced the star anchor on-air is impressive, if familiar
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TV
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Gaza in Venice: ‘Citizen Osama’ is Piece of a Puzzle, But Never the Whole Picture
Venice Film Festival: “Citizen Osama,” playing out of competition offers glimpses of suffering but leaves out context
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Columns
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‘Hombre al Agua’ Review: Gael Garcia Bernal Whips Up Some Messy Good Fun
Venice Film Festival: The actor-turned-director has created a fantasia that mixes melodrama, satire and social commentary
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‘Possible Love’ Review: Korean Drama Accumulates Power for Almost Three Hours
Venice Film Festival: Lee Chang-dong’s first movie since “Burning” is a slow-burn story about trauma, loss and class conflict
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‘Elsinore’ Review: Andrew Scott Shines in Yet Another Sign That Shakespeare Isn’t Done With Us Yet
Telluride Film Festival: “Hamlet” is back in the story of the dying actor who replaced Daniel Day-Lewis in a 1989 production of the Bard’s tragedy
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‘A Long Winter’ Review: Andrew Haigh Finds Love and Dread High in the Mountains
Telluride Film Festival: Ebon Moss-Bachrach, Caitriona Balfe and Fred Hechinger star in Haigh’s exploration of loss and acceptance
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‘Pete Townshend: Behind Blue Eyes’ Review: Rock Doc Is Long on Talk
Telluride Film Festival: Directors Frank Marshall and Nigel Sinclair let The Who frontman pontificate, something he does very well
