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Reviews

  • ‘Burning Cane’ Film Review: Promising But Flawed First Film Examines the Black Church in the South

    Writer-director-cinematographer Phillip Youmans bites off far more than he can chew, but he tackles tough issues

    By

    Candice Frederick
    November 5, 2019 @ 12:20 PM
    Reviews
    12:20 PM
    ‘Burning Cane’ Film Review: Promising But Flawed First Film Examines the Black Church in the South
  • ‘Arctic Dogs’ Film Review: Unremarkable Kids’ Cartoon Offers Self-Esteem and Environmental Messaging

    Young audiences will get OK animation and straightforward moralizing, while their parents enjoy a brief nap

    By

    William Bibbiani
    November 1, 2019 @ 4:18 PM
    Reviews
    4:18 PM
    ‘Arctic Dogs’ Film Review: Unremarkable Kids’ Cartoon Offers Self-Esteem and Environmental Messaging
  • ‘Terminator: Dark Fate’ Film Review: Linda Hamilton Is Back, and So Is the Franchise’s Mojo

    After a slew of disappointing sequels (and a TV series), the killer-robot saga once again feels sharp and relevant

    By

    William Bibbiani
    October 31, 2019 @ 11:45 AM
    Reviews
    11:45 AM
    ‘Terminator: Dark Fate’ Film Review: Linda Hamilton Is Back, and So Is the Franchise’s Mojo
  • ‘Harriet’ Film Review: Kasi Lemmons’ Standard-Issue Harriet Tubman Biopic Wastes Big-Screen Opportunity

    We’ve waited too long for a Tubman movie (and for Lemmons to return to the director’s chair) but this one disappoints

    By

    Monica Castillo
    October 31, 2019 @ 11:15 AM
    Reviews
    11:15 AM
    ‘Harriet’ Film Review: Kasi Lemmons’ Standard-Issue Harriet Tubman Biopic Wastes Big-Screen Opportunity
  • ‘The Kingmaker’ Film Review: Lauren Greenfield’s Deftly-Drawn Portrait of Imelda Marcos Is Fascinating and Terrifying

    A shrewd inquisitor and a crafty interviewee face off in a fascinating look at image-management and power

    By

    Elizabeth Weitzman
    October 30, 2019 @ 3:27 PM
    Reviews
    3:27 PM
    ‘The Kingmaker’ Film Review: Lauren Greenfield’s Deftly-Drawn Portrait of Imelda Marcos Is Fascinating and Terrifying
  • ‘Queen of Hearts’ Film Review: Denmark’s Oscar Entry Explores Incest in Shallow Way

    Topics of abuse and consent are also skirted over, albeit with slick cinematography, undermining the compelling lead performance

    By

    Simon Abrams
    October 30, 2019 @ 1:26 PM
    Reviews
    1:26 PM
    ‘Queen of Hearts’ Film Review: Denmark’s Oscar Entry Explores Incest in Shallow Way
  • ‘Gay Chorus Deep South’ Film Review: Traveling Choirs Shake Up Southern Gentility With Direct Confrontation

    Performers from San Francisco and Oakland invade the Bible Belt with the hope of changing hearts and minds with song

    By

    Dan Callahan
    October 30, 2019 @ 12:52 PM
    Reviews
    12:52 PM
    ‘Gay Chorus Deep South’ Film Review: Traveling Choirs Shake Up Southern Gentility With Direct Confrontation
  • ‘Motherless Brooklyn’ Film Review: Edward Norton’s Gorgeous Noir Exceeds His Grasp

    Exquisite ’50s period detail and relevant Big Apple politics aside, this saga sprawls beyond what the actor-writer-director can handle

    By

    Candice Frederick
    October 30, 2019 @ 8:52 AM
    Reviews
    8:52 AM
    ‘Motherless Brooklyn’ Film Review: Edward Norton’s Gorgeous Noir Exceeds His Grasp
  • ‘Jesus Is King’ Film Review: Kanye West Documentary-Promo Is Both Too Short and Too Long

    It’s too brief a sample of West’s process, and it will probably only confirm what you already think of him, good or bad

    By

    Todd Gilchrist
    October 25, 2019 @ 7:21 PM
    Reviews
    7:21 PM
    ‘Jesus Is King’ Film Review: Kanye West Documentary-Promo Is Both Too Short and Too Long
  • ‘Making Waves: The Art of Cinematic Sound’ Film Review: Documentary Tunes Into What You Hear at the Movies

    Educational and inspirational, Midge Costin’s film traces the cinema’s rich audio history

    By

    William Bibbiani
    October 25, 2019 @ 2:06 PM
    Reviews
    2:06 PM
    ‘Making Waves: The Art of Cinematic Sound’ Film Review: Documentary Tunes Into What You Hear at the Movies
  • ‘Countdown’ Film Review: Killer-Phone-App Horror Film Embraces Its Own Absurdity

    It’s no classic of horror — or even horror comedy — but it’s fun in an eccentric and self-aware way

    By

    William Bibbiani
    October 25, 2019 @ 5:41 AM
    Reviews
    5:41 AM
    ‘Countdown’ Film Review: Killer-Phone-App Horror Film Embraces Its Own Absurdity
  • ‘The Cat and the Moon’ Film Review: Alex Wolff Plays Troubled Teen in His Promising Writing-Directing Debut

    New York tale about new friends and simmering grief shows some uncommon filmmaking sensitivity

    By

    Robert Abele
    October 24, 2019 @ 12:47 PM
    Reviews
    12:47 PM
    ‘The Cat and the Moon’ Film Review: Alex Wolff Plays Troubled Teen in His Promising Writing-Directing Debut
  • ‘Dolemite Is My Name’ Film Review: Eddie Murphy Is a Soulfully Vulgar Blast as Comedy Legend Rudy Ray Moore

    Perhaps the best-ever comedy about the making of a cult hit, it’s mainly a spectacular vehicle for Murphy’s buoyant comic gifts

    By

    Robert Abele
    October 24, 2019 @ 10:30 AM
    Reviews
    10:30 AM
    ‘Dolemite Is My Name’ Film Review: Eddie Murphy Is a Soulfully Vulgar Blast as Comedy Legend Rudy Ray Moore
  • ‘Synonyms’ Film Review: French-Israeli Identity Drama Pushes Protagonist, and Audience, to the Limit

    This autobiographical tale from filmmaker Nadav Lapid (“The Kindergarten Teacher” 2014) is in your face but still effective

    By

    Elizabeth Weitzman
    October 24, 2019 @ 9:31 AM
    Reviews
    9:31 AM
    ‘Synonyms’ Film Review: French-Israeli Identity Drama Pushes Protagonist, and Audience, to the Limit
  • ‘Black and Blue’ Film Review: Naomie Harris Plays a Conflicted Cop in By-the-Numbers Drama

    Urbanworld Film Festival 2019: There’s a provocative tale to be told about the balance of being both black and a police officer, but this movie doesn’t feel like telling it

    By

    Candice Frederick
    October 23, 2019 @ 4:35 PM
    Reviews
    4:35 PM
    ‘Black and Blue’ Film Review: Naomie Harris Plays a Conflicted Cop in By-the-Numbers Drama
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