Reviews
-
‘Outlaw King’ Film Review: Chris Pine Scottish War Epic Is Meh-dieval
Re-edited after its Toronto fest debut, this grimy, serviceable time-waster for Netflix subscribers saves its real energy for bloody battle sequences
-
‘The Girl in the Spider’s Web’ Film Review: Claire Foy’s Lisbeth Salander Adventure Trades Angst for Espionage
Based on a novel that’s not in the original trilogy, this crackerjack adventure values spy-stuff over character
-
‘The Long Dumb Road’ Film Review: Buddy Comedy Travels Familiar Path, But the Company’s Great
Jason Mantzoukas and Tony Revolori make charming travel companions in an indie that lacks interesting women
-
‘Here and Now’ Film Review: Sarah Jessica Parker Loses the Pitch in Lackluster Drama
Parker plays a terminally-ill chanteuse, but “Cléo from 5 to 7,” this ain’t
-
‘In a Relationship’ Film Review: Emma Roberts and Michael Angarano Try to Liven Up Underwritten Characters
Tribeca 2018: Familiar romantic indie will resonate most with those who relate
-
‘The Front Runner’ Film Review: Hugh Jackman Is Gary Hart in Jason Reitman’s Enjoyable, Slight Political Saga
Hart’s implosion over infidelity allegations in 1988, setting up the tabloidization of politics, makes for a snappy if thin dramatization
-
‘Better Angels’ Film Review: Propagandistic Doc Avoids Tough Questions About US-China Relations
Oscar-winner Malcolm Clarke focuses on individual success stories but includes no context that might be unflattering to either superpower
-
‘Maria by Callas’ Film Review: Opera Legend Maria Callas’ Life, Told in Her Own Words
Tom Volf’s documentary delivers what Callas fans want most: passionate arias and personal access
-
‘A Private War’ Film Review: Rosamund Pike and Jamie Dornan Give Searing Performances as Real-Life War Correspondents
In his fiction debut, documentarian Matthew Heineman captures the necessity and the danger of journalist Marie Colvin’s essential work
-
‘Postcards from London’ Film Review: Gay Escort Contemplates Beauty in Skin-Deep Indie
Harris Dickinson plays a gorgeous rent-boy in a movie that pays lip service to art without ever becoming it
-
‘Boy Erased’ Film Review: Gay Conversion Drama Has Powerful Moments But Also Rote Ones
Russell Crowe and Nicole Kidman play Baptist parents who send Lucas Hedges to “ex-gay” therapy in Joel Edgerton’s drama
-
‘The Other Side of the Wind’ Film Review: Orson Welles’ Final Film Is Worth the Wait
Lovingly assembled after 40 years, the master’s swan song is a winking satire drawing on his own love-hate relationship with Hollywood
-
‘Johnny English Strikes Again’ Film Review: Rowan Atkinson’s Third 007 Spoof is Shaky, Not Stirring
The returns are very much diminished in the continuing saga of Atkinson’s bumbling British super-spy
-
‘Indivisible’ Film Review: Faith-Based True Story Champions Communication and Self-Care Over Easy Answers
Religion isn’t a cure-all in this real-life tale of an Army chaplain and his wife and their joint recovery from his tour of combat duty
-
‘Hunter Killer’ Film Review: Gerard Butler Stalks Around a Submarine in Passable Thriller
The kind of movie you find in a $2 bargain-DVD bin and feel like you got your money’s worth
