Todd Gilchrist
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‘Cesar Chavez’ Review: Michael Peña Captures the Labor Leader’s Magnetic Intensity
Like its namesake, this portrait of the iconic activist thrives on quiet efficacy rather than conspicuous theatricality
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‘Enemy’ Review: It’s Jake Gyllenhaal vs. Jake Gyllenhaal for Double the Mystery
Denis Villenueve’s second collaboration with Jake Gyllenhaal feels like a riddle wrapped in an enigma wrapped in an arachnophobe’s worst nightmare
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‘Kelly & Cal’ Review: New Mom Juliette Lewis Finds an Unlikely Suburban Soulmate
This SXSW premiere stars Lewis and Jonny Weston as two outcasts who find each other in a sweet, sensitive film that doesn’t settle for easy answers
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‘300: Rise of An Empire’ Review: More of the Same, But Slightly Less
Eva Green stands out in a film that’s otherwise a similar second serving of slo-mo ultraviolence and showy camera work
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‘3 Days To Kill’ Review: Kevin Costner Thriller Is Ambitious Disaster Trying to Be Both Action and Comedy
Director McG’s latest suggests the director wasn’t kidding when he named his last movie “This Means War”
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‘About Last Night’ Review: Kevin Hart and Regina Hall Steal This Mixed-Doubles Rom-Com
This reworking of the 1986 comedy gets so much right about love and relationships that you’ll forgive the occasional cliché in the screenplay by Leslye Headland (“Bachelorette”)
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‘Vampire Academy’ Review: A YA Adaptation With More Hormones Than Brain Cells
More “Meaningless” than “Mean Girls,” Mark Waters’ vampire-themed thriller drowns overprivileged teens in an overcomplicated mythology
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‘Best Night Ever’ Review: Anti-Funny Ruins Your Memories of Movies From Which it Stole
Ultimately, “Best Night Ever” feels more like “worst movie ever”
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‘Knights of Badassdom’ Review: A Cultural Phenomenon Edited Down to a One-Note Joke
Producers reportedly took over director Joe Lynch’s celebration of live-action roleplaying and reduced it to a repetitive punchline
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‘Devil’s Due’ Review: Found-Footage Horror Conceit Is Visually Ambitious – And That’s Not a Compliment
A needless multicamera setup becomes a trap for a promising idea and a pair of gifted filmmakers
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‘The Legend Of Hercules’ Review: Kellan Lutz’s Beefcake Saga is One Messy Myth (Video)
This retelling of Hercules’ mythology doesn’t feature 12 labors, but 99 — one for each minute the audience has to sit through
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‘Justin Bieber’s Believe’ Review: Portrait of an Artist Who’s No Longer a ‘Baby’
Growing pains and the price of fame take center stage in this tour-documentary follow-up to “Never Say Never”
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‘Walking With Dinosaurs’ Review: You’ll Be Rooting for Extinction
Insufferably inane movie assumes that youngsters think paleontology isn’t cool — and that the irritating performances by John Leguizamo and Justin Long will be funny
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TheWrap Screening Series: ‘Porcelain Horse’ Writer-Director on the ‘Expectation’ of Freebase Addiction
“I thought, if I could make a film about corruption, it would be an interesting place to start with personal corruption”
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TheWrap Screening Series: ‘The Book Thief’ Star Geoffrey Rush Heaps Praise on Co-Star Sophie Nelisse (Video)
“To suddenly work opposite someone who is 12 who was just mind-blowingly focused, graceful, effortless, disciplined, deeply moving, I found it shifted the goalposts for me for what I thought acting was about,” he revealed














