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Creative Content

Reviews

  • ‘What You Gonna Do When the World’s on Fire?’ Film Review: Race Documentary Wallows in Tragedy But Offers No Solutions

    Roberto Minervini’s portrait of black Southerners feels their pain but does nothing to move the conversation forward

    By

    Candice Frederick
    August 15, 2019 @ 9:19 AM
    Reviews
    9:19 AM
    ‘What You Gonna Do When the World’s on Fire?’ Film Review: Race Documentary Wallows in Tragedy But Offers No Solutions
  • ‘Where’d You Go, Bernadette’ Film Review: Cate Blanchett Stars in a Diverting But Overly Streamlined Adaptation

    Fans of Maria Semple’s novel might not like the changes, but there’s plenty here to charm viewers new to the story

    By

    Elizabeth Weitzman
    August 14, 2019 @ 6:00 PM
    Reviews
    6:00 PM
    ‘Where’d You Go, Bernadette’ Film Review: Cate Blanchett Stars in a Diverting But Overly Streamlined Adaptation
  • ’47 Meters Down: Uncaged’ Film Review: Shark-Bait Sequel Delivers the Goods

    Returning director Johannes Roberts once again crafts an underwater adventure with real bite

    By

    Todd Gilchrist
    August 13, 2019 @ 9:33 PM
    Reviews
    9:33 PM
    ’47 Meters Down: Uncaged’ Film Review: Shark-Bait Sequel Delivers the Goods
  • ‘The Angry Birds Movie 2’ Film Review: Silly Sequel Will Engage Kids, If Not Their Parents

    The birdies and the piggies unite to fend off a common foe in a brightly colored animated distraction

    By

    Jason Solomons
    August 13, 2019 @ 8:05 AM
    Reviews
    8:05 AM
    ‘The Angry Birds Movie 2’ Film Review: Silly Sequel Will Engage Kids, If Not Their Parents
  • ‘The Peanut Butter Falcon’ Film Review: Road-Picture Buddy Comedy Avoids Disability Stereotypes

    Newcomer Zack Gottsagen and a rebounding Shia LaBeouf make an endearing team as they travel through the South

    By

    Yolanda Machado
    August 9, 2019 @ 10:31 AM
    Reviews
    10:31 AM
    ‘The Peanut Butter Falcon’ Film Review: Road-Picture Buddy Comedy Avoids Disability Stereotypes
  • ‘This Is Not Berlin’ Film Review: Teens Come of Age in Mexico’s Post-Punk Avant-Garde

    Writer-director Hari Sama looks back at the artistic and sexual experimentation of the 1980s with affection and bemusement

    By

    Dan Callahan
    August 8, 2019 @ 1:35 PM
    Reviews
    1:35 PM
    ‘This Is Not Berlin’ Film Review: Teens Come of Age in Mexico’s Post-Punk Avant-Garde
  • ‘Scary Stories to Tell in the Dark’ Film Review: Teen Horror Anthology Spins Some Spooky Yarns

    You don’t have to be a fan of the popular (and often banned) books to have fun with writer-producer Guillermo del Toro’s adaptation

    By

    Monica Castillo
    August 7, 2019 @ 10:00 PM
    Reviews
    10:00 PM
    ‘Scary Stories to Tell in the Dark’ Film Review: Teen Horror Anthology Spins Some Spooky Yarns
  • ‘This Changes Everything’ Film Review: Hollywood Women Discuss Upping Their Ranks, on Both Sides of the Camera

    Well-meaning documentary tackles show-biz gender disparity, and while it might not cover all the bases, it’s a good start

    By

    Candice Frederick
    August 7, 2019 @ 2:34 PM
    Reviews
    2:34 PM
    ‘This Changes Everything’ Film Review: Hollywood Women Discuss Upping Their Ranks, on Both Sides of the Camera
  • ‘The Kitchen’ Film Review: Melissa McCarthy, Tiffany Haddish, Elisabeth Moss Lead a Mafia Misfire

    You want this tale of female gangsters to be a gun-toting original, but it’s a discordant mix of clichés, incoherence and ill-used stars

    By

    Robert Abele
    August 7, 2019 @ 1:00 PM
    Reviews
    1:00 PM
    ‘The Kitchen’ Film Review: Melissa McCarthy, Tiffany Haddish, Elisabeth Moss Lead a Mafia Misfire
  • ‘Vision Portraits’ Film Review: Visually Impaired Filmmaker Explores Artists Working Without Sight

    Director Rodney Evans (“Brother to Brother”) examines how writers, dancers and even photographers create through their blindness

    By

    Elizabeth Weitzman
    August 7, 2019 @ 12:51 PM
    Reviews
    12:51 PM
    ‘Vision Portraits’ Film Review: Visually Impaired Filmmaker Explores Artists Working Without Sight
  • ‘Dora and the Lost City of Gold’ Film Review: Old-School Family Adventure Strikes It Rich

    Isabela Moner deftly updates the animated heroine in a film that, after a shaky start, hits the right notes of fun and cultural specificity

    By

    Yolanda Machado
    August 7, 2019 @ 10:00 AM
    Reviews
    10:00 AM
    ‘Dora and the Lost City of Gold’ Film Review: Old-School Family Adventure Strikes It Rich
  • ‘Brian Banks’ Film Review: Forgettable Film Squanders Powerful True Story

    The potential urgency in this saga of an athlete falsely accused of rape is undercut by the shortchanging of its female characters

    By

    Candice Frederick
    August 6, 2019 @ 1:56 PM
    Reviews
    1:56 PM
    ‘Brian Banks’ Film Review: Forgettable Film Squanders Powerful True Story
  • ‘The Art of Racing in the Rain’ Film Review: Kevin Costner Voices Philosophical Dog In Standard-Issue Weeper

    An auto racer’s shaggy best friend narrates all the feels in this unremarkably sentimental adaptation of the best-selling novel

    By

    Robert Abele
    August 5, 2019 @ 5:00 PM
    Reviews
    5:00 PM
    ‘The Art of Racing in the Rain’ Film Review: Kevin Costner Voices Philosophical Dog In Standard-Issue Weeper
  • ‘The Ground Beneath My Feet’ Film Review: Valerie Pachner Makes Great Strides as a Working Woman on the Verge

    Writer-director Marie Kreutzer blisteringly examines a workplace that demands women push all emotion aside, no matter the cost

    By

    Carlos Aguilar
    August 2, 2019 @ 2:47 PM
    Reviews
    2:47 PM
    ‘The Ground Beneath My Feet’ Film Review: Valerie Pachner Makes Great Strides as a Working Woman on the Verge
  • ‘Love, Antosha’ Film Review: Anton Yelchin’s Brief, Voracious Life Celebrated in Poignant Doc

    The “Star Trek” actor had a hunger for work, life and experience, and left behind a legacy both on-screen and off

    By

    William Bibbiani
    August 2, 2019 @ 9:06 AM
    Reviews
    9:06 AM
    ‘Love, Antosha’ Film Review: Anton Yelchin’s Brief, Voracious Life Celebrated in Poignant Doc
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