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Creative Content

Reviews

  • ‘The Strangers: Prey at Night’ Film Review: Slasher Sequel Is Half a Good Horror Movie

    Too many vintage power ballads and not enough masked-killer scares in this follow-up to the 2008 cult fave

    By

    Dan Callahan
    March 8, 2018 @ 12:01 AM
    Reviews
    12:01 AM
    ‘The Strangers: Prey at Night’ Film Review: Slasher Sequel Is Half a Good Horror Movie
  • ‘Death Wish’ Film Review: Bruce Willis’ Revenge Served Tepid by Eli Roth

    Roth’s boringly violent do-over of the Charles Bronson vigilante franchise is too empty-headed and winking to stoke real outrage

    By

    Robert Abele
    March 1, 2018 @ 4:00 PM
    Reviews
    4:00 PM
    ‘Death Wish’ Film Review: Bruce Willis’ Revenge Served Tepid by Eli Roth
  • ‘Don’t Talk to Irene’ Review: Nerd Girl Has Cheerleader Dreams in Familiar Outcast Comedy

    TIFF 2017: Canada’s entry in the misfit-makes-good sweepstakes grates at first, then finds its rhythm

    By

    Robert Abele
    February 28, 2018 @ 10:00 AM
    Reviews
    10:00 AM
    ‘Don’t Talk to Irene’ Review: Nerd Girl Has Cheerleader Dreams in Familiar Outcast Comedy
  • ‘Foxtrot’ Film Review: Israel’s Oscar Entry Doesn’t Dance Around the Complexities of War

    A mix of styles and tones makes for a provocative and heartbreaking tale about people in a seemingly never-ending state of crisis

    By

    Elizabeth Weitzman
    February 28, 2018 @ 8:00 AM
    Reviews
    8:00 AM
    ‘Foxtrot’ Film Review: Israel’s Oscar Entry Doesn’t Dance Around the Complexities of War
  • ‘Mute’ Movie Review: Alexander Skarsgard’s Future Noir Makes No Filmmaking Noise

    Duncan Jones’ Netflix movie about a voiceless Berliner looking for his girlfriend is a dull, empty exercise in crime, grime and slime

    By

    Robert Abele
    February 23, 2018 @ 12:00 AM
    Reviews
    12:00 AM
    ‘Mute’ Movie Review: Alexander Skarsgard’s Future Noir Makes No Filmmaking Noise
  • ‘Every Day’ Film Review: Girl Meets Disembodied Soul in Thought-Provoking Teen Romance

    Based on David Levithan’s novel, this tale follows a young woman who discovers that love is about what’s on the inside

    By

    William Bibbiani
    February 22, 2018 @ 3:00 PM
    Reviews
    3:00 PM
    ‘Every Day’ Film Review: Girl Meets Disembodied Soul in Thought-Provoking Teen Romance
  • ‘Annihilation’ Film Review: Natalie Portman Anchors Woolly, Weird Sci-Fi Saga

    Alex Garland’s exquisitely disturbing follow-up to “Ex-Machina” cements his status as a thoughtful, nerve-rattling auteur

    By

    Robert Abele
    February 21, 2018 @ 6:00 AM
    Reviews
    6:00 AM
    ‘Annihilation’ Film Review: Natalie Portman Anchors Woolly, Weird Sci-Fi Saga
  • All 7 Aardman Animations Features Ranked, From ‘Wallace & Gromit’ to ‘Chicken Run’ (Photos)

    How does “Early Man” rank among the British studio’s cartoon classics?

    By

    Inkoo Kang
    February 18, 2018 @ 2:00 PM
    Reviews
    2:00 PM
    All 7 Aardman Animations Features Ranked, From ‘Wallace & Gromit’ to ‘Chicken Run’ (Photos)
  • ‘Loveless’ Film Review: Russia’s Oscar Entry Features a Missing Boy, Negligent Parents, and a Fractured Nation

    “Leviathan” director Andrey Zvyagintsev’s elegantly bleak domestic drama examines the aftereffects of a bitter marriage

    By

    Robert Abele
    February 15, 2018 @ 12:39 PM
    Reviews
    12:39 PM
    ‘Loveless’ Film Review: Russia’s Oscar Entry Features a Missing Boy, Negligent Parents, and a Fractured Nation
  • ‘Nostalgia’ Film Review: Jon Hamm Leads All-Star Cast in One-Note Examination of Grief

    Mark Pellington’s look at loss couldn’t be more personal, but the results still fall short

    By

    Ray Greene
    February 14, 2018 @ 1:55 PM
    Reviews
    1:55 PM
    ‘Nostalgia’ Film Review: Jon Hamm Leads All-Star Cast in One-Note Examination of Grief
  • ‘The Party’ Film Review: Sally Potter Spins a Bleakly Hilarious Political Farce

    Patricia Clarkson, Timothy Spall and Kristin Scott Thomas lead an all-star cast as liberals who dither while the world burns

    By

    Ray Greene
    February 14, 2018 @ 1:45 PM
    Reviews
    1:45 PM
    ‘The Party’ Film Review: Sally Potter Spins a Bleakly Hilarious Political Farce
  • ‘Golden Exits’ Film Review: Faithless Brooklynites Fall Apart in Alex Ross Perry’s Unfulfilling Indie Drama

    Indie all-stars like Chloë Sevigny, Mary-Louise Parker and Jason Schwartzman can’t make this warmed-over-Bergman tale of unhappy mopes come alive

    By

    Elizabeth Weitzman
    February 8, 2018 @ 4:17 PM
    Reviews
    4:17 PM
    ‘Golden Exits’ Film Review: Faithless Brooklynites Fall Apart in Alex Ross Perry’s Unfulfilling Indie Drama
  • ‘The Female Brain’ Film Review: Whitney Cummings Finds Silly, Cerebral Laughs in Battle of the Sexes

    A sharp comic ensemble — including the NBA’s Blake Griffin — shines in a mostly cliché-free rom-com

    By

    Tricia Olszewski
    February 8, 2018 @ 3:36 PM
    Reviews
    3:36 PM
    ‘The Female Brain’ Film Review: Whitney Cummings Finds Silly, Cerebral Laughs in Battle of the Sexes
  • ‘Seeing Allred’ Film Review: Gloria Allred’s Fight for Rights Makes a Stirring Documentary

    The controversial attorney gets a fair and robust hearing in this inspiring Netflix feature

    By

    April Wolfe
    February 8, 2018 @ 3:04 PM
    Reviews
    3:04 PM
    ‘Seeing Allred’ Film Review: Gloria Allred’s Fight for Rights Makes a Stirring Documentary
  • ‘The 2018 Oscar-Nominated Short Films’ Review: With Little Running Time Comes Great Power

    This year’s shorts pack a wallop — so much so that watching them all together can be emotionally draining

    By

    William Bibbiani
    February 8, 2018 @ 1:22 PM
    Reviews
    1:22 PM
    ‘The 2018 Oscar-Nominated Short Films’ Review: With Little Running Time Comes Great Power
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