Reviews
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‘Crash Pad’ Review: Domhnall Gleeson and Thomas Haden Church Make a Crackling Odd Couple
They’re both in love with Christina Applegate in a comedy that’s much smarter than its high concept suggests
By
Tricia Olszewski -
‘Novitiate’ Review: Melissa Leo Grounds a Visually Striking Study in Faith
Leo’s ferocious Reverend Mother anchors the film when it strays into stylization or an excess of repressed sexuality
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Elizabeth Weitzman -
‘All I See Is You’ Review: Blake Lively Marriage Drama Is Blind to Its Own Shortcomings
There’s an intrigue to the dynamic between Lively and Jason Clarke, but Marc Forster’s POV excursions doom it
By
Robert Abele -
‘The Work’ Review: Outsiders Meet Inmates in Prison for Intensive Group Therapy
A four-day Folsom Prison program bringing cons and civilians together makes for a bracing documentary
By
Robert Abele -
‘Thank You for Your Service’ Review: No Thanks for This Flat Take on Veterans
Miles Teller and Beulah Koale star as PTSD-afflicted Iraq War survivors in a film with little to say about their struggles
By
Claudia Puig -
‘Geostorm’ Review: Gerard Butler Punching Weather in the Face Would Make a Better Movie
Neither snow nor rain nor heat nor gloom of idiocy stays this terrible disaster epic from the swift completion of its laughable rounds
By
Robert Abele -
‘Same Kind of Different as Me’ Review: Renee Zellweger Brings Grace to Faith-Based True Story
Greg Kinnear and Djimon Hounsou round out the cast of occasionally affecting homelessness drama
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Dave White -
‘One of Us’ Review: Breaking up With G-d Is Hard to Do
Toronto: The directors of “Jesus Camp” focus, with empathy and understanding, on three people leaving Hasidic Judaism
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Sam Fragoso -
‘The Snowman’ Review: Michael Fassbender Thriller Melts in a Pool of Slushy Writing
Jo Nesbø’s best-selling serial-killer mystery becomes all coal and no carrot, despite a sterling cast and crew
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Jason Solomons -
‘1922’ Review: Thomas Jane Haunted by Guilt in Stephen King Adaptation
This Netflix feature takes 101 minutes to tell an hour-long story, but there are vivid performances and visuals
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Todd Gilchrist -
‘Leatherface’ Review: Umpteenth ‘Texas Chainsaw’ Origin Story Is a Bloody Bore
Grimy and mean-spirited, this prequel brings nothing to the legendary cannibal’s table
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Todd Gilchrist -
‘Human Flow’ Review: Ai Weiwei Turns a Compassionate Eye to Refugee Crisis
This documentary challenges viewers to be aware and empathetic about this global phenomenon
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Elizabeth Weitzman -
‘Long Strange Trip’ Review: Grateful Dead Doc Is a Rightfully Epic Jam
At four hours, Amir Bar-Lev’s loving tribute to the highs and lows of a legendary band should satisfy the faithful and intrigue the uninitiated
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Robert Abele -
‘Marshall’ Review: Chadwick Boseman Plays Young Thurgood Marshall in Punchy Thriller
Boseman brings another legendary African American to life in Reginald Hudlin’s zippy, focused courtroom drama
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Robert Abele -
‘The Foreigner’ Review: Jackie Chan Ill-Served by Choppy Drama
Chan disappears for a good chunk of the movie, leaving Pierce Brosnan’s clichéd Irishman to do the heavy lifting
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Sam Fragoso














