Awards
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How the Music of ‘Fallout’ Juxtaposes Lucy’s ‘Sheltered’ Vault Dweller Life With the Wasteland’s ‘Harsh Realities’
TheWrap magazine: Prime Video’s adaptation focuses on “playing up the irony” with classic songs and a dramatic score, says music supervisor Trygge Toven
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Inside the Sumptuous ‘Shōgun’ Costumes That Tell a Rich Story All Their Own
TheWrap magazine: “It was really about understanding the language of the clothing of that period,” says costume designer Carlos Rosario
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Viggo Mortensen, Clive Owen, Daniel Brühl to Be Honored at Karlovy Vary Film Festival
Steven Soderbergh and Nicole Holofcener will also attend the Czech festival, which takes place June 28 – July 6, 2024
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12 Things I Learned Perusing All 886 Pages of the Emmy Ballots
From actors playing themselves to Ryan Gosling singing “I’m Just Ken,” here are things to watch for in this year’s Emmy nomination voting
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12 Music Docs Dominating the 2024 Emmy Race, From ‘The Beach Boys’ to ‘Milli Vanilli’
More than a quarter of the documentary-special category is made up of music films, including ones on Paul Simon, James Brown and U2
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How the ‘Mr. & Mrs. Smith’ Cinematographer Captured a Sense of Moody Noir
TheWrap magazine: Emmy-winning DP Christian Sprenger achieved the series’ tactile feel by referencing classics like “The French Connection” while shooting mostly on location
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How the ‘Abbott Elementary’ Sets Expanded Beyond the School Walls in Season 3
TheWrap magazine: “You don’t want your show to be claustrophobic,” production designer Michael Whetstone says of introducing new scenery
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‘Avatar: The Last Airbender’ VFX Team Used Story as Their North Star
TheWrap magazine: With action sequences designed to function like dialogue, the VFX crew were guided by the idea that “story is king,” EP Albert Kim says
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Maya Rudolph Says Building Up ‘Loot’ Ensemble Elevated Season 2: ‘I Can’t Stomach Working Any Other Way Anymore’
TheWrap magazine: The “SNL” alum talks about getting to the “fun part” of leading the Apple TV+ comedy series
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How the ‘Monarch: Legacy of Monsters’ Editor Juggled Multiple Timelines
TheWrap magazine: For Nona Khodai, the series had to make sense to everyone, not just die hards of the MonsterVerse
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How the ‘I’m a Virgo’ VFX Team Made Jharrel Jerome a Giant
TheWrap magazine: Series creator Boots Riley “wanted to make it feel like it was made in the ’80s, maybe the ’70s,” says visual effects supervisor Todd Perry
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How Gary Oldman Landed His Dream Role as a Farting Slob in ‘Slow Horses’ | Video
TheWrap magazine: “There’s something very freeing and liberating about playing someone who really doesn’t give a f–k,” the veteran actor says
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Alex Edelman’s ‘Just For Us’ Takes Viewers on a Bizarre, Enlightening Journey to a Neo-Nazi Meeting
TheWrap magazine: The comedian says he was “encouraged to go in pursuit of deeper truths,” for his Max special
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‘Girls5Eva’ Star Paula Pell Thinks the World ‘Desperately Needs White-Hot Comedy’
TheWrap magazine: The “SNL” alum explains what it’s like to revisit and mock the 2000s in her Netflix series
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How ‘Only Murders in the Building’ Pulled Off a Musical in Season 3
TheWrap magazine: “Why not populate the writer squad with the best of Broadway?” says Justin Paul, who worked with Benj Pasek, Marc Sharman and Scott Wittman on “Death Rattle Dazzle”
