Awards
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Why Jessica Chastain Prefers ‘Sadness and Pain’ to Feminine Perfection
TheWrap magazine: “I love playing women who make mistakes, who do complicated things,” she says of playing Tammy Wynette in “George & Tammy”
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How HBO’s ‘A Black Lady Sketch Show’ Created 40-Plus Backdrops for Its Final Season
Production designers Cindy Chao and Michele Yu are vocal about wanting that challenge back: “I know we still have a lot more in us,” Chao says
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Norman Lear: Emmy Voters Are Still Paying Attention to the 101-Year-Old Master
TheWrap magazine: “Norman Lear: 100 Years of Music & Laughter” was designed as “the celebration of a life well lived,” executive producer Brent Miller says
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‘We Were Meant To’ Wins Top Award From HollyShorts Film Festival (Exclusive)
The Hollywood festival qualified four short films for this year’s Academy Awards
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How Jessica Chastain Convinced ‘George & Tammy’ Costar Michael Shannon to Take His First Emmy-Nominated Role
TheWrap magazine: “Jessica fought to get me in there after there was a vacancy,” Shannon said, “because I think some of the powers that be were like, ‘Can we get somebody a little more…whatever?’”
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‘Succession’ Composer Nicholas Britell Says Scoring Logan Roy’s Death ‘Was Unlike Anything I’ve Done’
TheWrap magazine: The three-time Emmy nominee (also of Disney+’s “Andor”) tells TheWrap about avoiding the shadow of John Williams and more
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How ‘Jury Duty’ Concocted Its Pitch-Perfect Bromance With the Help of James Marsden
Casting director Susie Farris knows she struck gold by getting the Emmy-nominated actor to improv off of the comedy’s unsuspecting star, Ronald Gladden
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How ‘Succession’ Stuck the Landing: 3 Emmy-Nominated Directors Tell All
TheWrap magazine: Mark Mylod, Lorene Scafaria and Andrij Parekh reflect on dramatizing the ultra-wealthy elite in the midst of a Hollywood reckoning
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The January Emmys: A Guide to Just How Confusing They’ll Be
Some Emmy nominees won’t be eligible for awards like the Critics Choice and Golden Globes, while others will be up for different seasons
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How ‘Top Chef’ Cast the Best of the Best for Its ‘World All-Stars’ Season
TheWrap magazine: Some cheftestants took convincing while others were an easy yes, casting director Ron Mare says
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John Oliver’s in a New Category — But Strikes Keep His Former Emmy Talk Show Competitors From Taking Advantage
The guy who always won has moved, but the nominees can’t campaign for the empty throne
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What Lena Waithe Learned From Mary Tyler Moore: ‘I Was Inspired to Write Timeless Television’
TheWrap magazine: The “Master of None” star served as one of the producers on the Emmy-nominated documentary “Being Mary Tyler Moore”
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‘Moonage Daydream’: What Quadruple Emmy Nominee Brett Morgen Borrowed From David Bowie
TheWrap magazine: “We were trying to use Bowie’s methods for creation to construct a movie about David Bowie,” the director says
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‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
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Jeff Probst Tries to Explain Why ‘Survivor’ Got an Emmy Nomination After a 17-Year Shutout
TheWrap magazine: The show is finally back in the Outstanding Reality Competition Program category for the first time since 2006
