Steve Pond is TheWrap’s Executive Editor, Awards and has been writing and overseeing awards coverage on the site since 2009. He spent decades writing about film, television, music and the entertainment industry for the Los Angeles Times, Washington Post, Rolling Stone, Premiere, New York Times, Playboy and many other publications. He is the author of the L.A. Times bestseller “The Big Show,” a behind-the-scenes look at the Academy Awards based on 15 years of unprecedented access to that show.
Experience:
Resides In:
Los Angeles
Education:
Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.
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Director Kleber Mendonça Filho Breaks Down Key Scenes in ‘The Secret Agent’ | Exclusive Video
“I said, ‘I need somebody to be naked from the waist down so that the leg can kick you in the balls,’ and four guys were like, ‘Me, me, me, me!’” Filho says of one wild scene
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Director Jafar Panahi Pleads for International Help on Iran: ‘A Massacre Is Coming’ | Exclusive
“The Islamic Republic has entirely lost its legitimacy, and it is going to do anything,” the director of “It Was Just an Accident” tells TheWrap
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How Many Votes Does It Take to Get an Oscar Nomination in 2026?
Depending on the category, the number can be as low as 30 or as high as 922
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In a Time of Turmoil and Trauma, the Golden Globes Didn’t Read the Room
The show’s big winners were deserving, but the show felt forced and awkward in its insistence on being loose and fun
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Awards Season Revs Up on Golden Globes Weekend: ‘It’s F—king Crazy’
The AFI, Spirit Awards and BAFTA piggyback to make Golden Globes weekend a wild few days of schmoozing
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Tony Yang, Rajee Samarasinghe, Tatti Ribeiro Win Indie Spirit Emerging Filmmaker Awards
The three categories are the only Spirit Awards to carry cash prizes rather than just trophies
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Who’s the Boss? Jeremy Allen White and Scott Cooper Dissect Their Springsteen Movie
TheWrap magazine: “I would give Bruce a hug in the morning and a hug in the evening, and we would text each other at the end of the day,” says White
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‘One Battle After Another,’ ‘Hamnet,’ ‘Sinners’ Continue Awards-Season Roll With Producers Guild Nominations
Other nominees include “Marty Supreme,” “Frankenstein,” “Train Dreams,” “Bugonia,” “Sentimental Value” and two surprises — “F1” and “Weapons”
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‘Come See Me in the Good Light’ Named Best Documentary at Cinema Eye Honors
Other awards go to “The Tale of Silyan,” “Seeds” and “The Perfect Neighbor”
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How Sara Bareilles Joined the ‘Lesbian Avengers’ to Write a Song for ‘Come See Me in the Good Light’
The Oscar-shortlisted song is a collaboration between Bareilles, Brandi Carlile and the late poet Andrea Gibson
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Paul Mescal on the Healing Power of ‘Hamnet’: ‘It’s Not Grief Porn’
The Golden Globe nominee also explains that, as an Irish actor, he used to have “a chip on my shoulder” about Shakespeare
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317 Films Qualify for the Oscars, But Only 201 Are Eligible for Best Picture
“KPop Demon Hunters” is one of the film not eligible in the Academy’s top category, which requires filmmakers to submit diversity and inclusion forms
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Going Inside the Music of ‘Sirât’: Radical, Experimental – and Maybe Even Comical?
“It was one of the boldest moves I’ve ever done,” says composer David Letellier, aka Kangding Ray
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‘One Battle After Another’ Leads Actor Awards Nominations (Complete List)
Paul Thomas Anderson’s epic set a new record with seven nods. Meanwhile, SAG-AFTRA remains aloof to international films, shutting out “Sentimental Value” and “The Secret Agent”
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‘Frankenstein,’ ‘Sinners,’ ‘Wicked: For Good’ Nominated for Art Directors Guild Awards
The ADG unveiled nominees in feature film, television, commercial and music video categories
