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‘Gilmore Girls’ Fall Persists With Strong Streaming Audience as Cozy Classic Marks 25th Anniversary
Plus, “60 Minutes” makes ratings strides with an NFL lead-in and Telemundo’s double premiere scores primetime wins
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CAA Media and Partnerships Head Libby Bush on Connecting Brands With TV, Film and Digital Creators: ‘One Size Does Not Fit All’
Office with a View: the former NBA and Disney exec also discusses selling her agency Tandem Entertainment in 2021 and finding new opportunities through YouTube
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The ‘Tron: Ares’ Flop Will Probably End Jared Leto’s Leading Man Career | Analysis
Leto was already on shaky ground with “Morbius” but the latest disappointment likely kills any future franchise prospects
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As the Creator Ecosystem Booms, Brands Learn to Speak Their Language
At New York’s Advertising Week, creators explained why Adobe’s $25,000 brand deal competition is “a step in the right direction”
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‘Stranger Things’ Dethrones ‘Wicked: For Good’ as No. 1 Title Audiences Are Most Excited About | Chart
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‘Black Phone 2’ Should Snap Blumhouse’s Box Office Losing Streak
The sequel to Scott Derrickson’s 2022 horror hit is expected to be Blumhouse’s first film to open above $12 million in two years
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Inside Netflix’s Bid to Supercharge Faster, More Efficient VFX Through Virtual Production and AI | Exclusive
The streamer is merging its research lab Eyeline with longtime VFX house Scanline to create a one-stop shop for digital tools to better help creatives
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Pete Hegseth’s Pentagon Lockout: What’s Lost When Reporters Leave the Building | Analysis
As media outlets from the New York Times to Fox News reject new access rules, journalists talk to TheWrap about the coming media exodus – and holding the military accountable
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Netflix’s ‘Monster: The Ed Gein Story’ Snatches 20.7 Million Views in Week 2, Up Slightly From ‘Menendez’
“The Woman in Cabin 10” debuted as the week’s No. 1 movie with 21.2 million views
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The Reset: What to Expect in the 4Q Homestretch
Five headaches and opportunities on the path to finish out 2025
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Why CBS Bosses Are Doubling Down on Scripted Shows as Other Networks Scale Back | Exclusive
Entertainment president Amy Reisenbach and studio chief David Stapf tell TheWrap about building the “strongest lineup in the company’s history” while ratings still justify the cost
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Fox News’ Trey Yingst on Covering the Israel-Hamas Cease-Fire: ‘Certainly a Turning Point for the Middle East’
‘It’s nice every once in a while when there are these moments of light amid a very dark story,” Yingst, the network’s chief foreign correspondent, tells TheWrap
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After Limp ‘Ares’ Box Office Opening, ‘Tron’ Remains in Franchise Limbo
The sci-fi series about digital worlds has become too big to be a truly “cult” series, yet not big enough to be a major cultural force
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Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds
Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase
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Riyadh Comedy Festival Raises Question: Do Situational Ethics Count in Cash-Rich Saudi Arabia?
Entertainers reckon with performing in a country known for oppressing its critics as U.S. freedoms face their own challenges
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