Reviews
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‘Fun Mom Dinner’ Review: Toni Collette, Molly Shannon Go Wild, Predictable Hijinks Ensue
Bridget Everett and Katie Aselton round out a foursome who cut loose in mostly predictable ways
By
Tricia Olszewski -
‘The Dark Tower’ Review: Big Screen Adaptation of Stephen King’s Gunslinger Epic Misfires
The attempt to launch a franchise is ultimately a poorly edited, truncated mess
By
Dan Callahan -
‘Chronically Metropolitan’ Review: Literary Indie Could Use a Rewrite
Chris Noth and Mary-Louise Parker head a family of writers in a movie that smacks more of “Gossip Girl” than The New Yorker
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Elizabeth Weitzman -
‘Step’ Review: Dance and Dreams Bolster Exhilarating High School Doc
The underprivileged step-dancing senior girls at a charter Baltimore school give this fine, fierce documentary about aspirations its rhythmic heart
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Robert Abele -
‘4 Days in France’ Review: Sex-App-Based Road Trip Loses Direction
A gay man uses Grindr to follow his straying lover in an often unfocused trek
By
Dan Callahan -
‘Strange Weather’ Review: Holly Hunter Ferociously Portrays a Grieving Mom
Hunter delivers another exceptional performance as a woman seeking answers after her son’s suicide
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Tricia Olszewski -
‘The Last Face’ Review: Charlize Theron Squandered in Sean Penn’s Offensive Message Movie
Theron and Javier Barden play war-zone doctors, but the film is far more interested in their limp romance than in the victims of genocide
By
Claudia Puig -
‘Detroit’ Review: Kathryn Bigelow Powerfully Connects Historic Riots to Modern Discord
This searing historical drama traces the roots — and the devastating aftermath — of the city’s 1967 unrest
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Claudia Puig -
‘An Inconvenient Sequel’ Review: Al Gore Dominates Otherwise Powerful Doc
This time around, the filmmakers spend too much time on the vice president’s story and not enough on the fate of the planet
By
Elizabeth Weitzman -
‘Brigsby Bear’ Review: ‘SNL’ Team Crafts Amusing, Sincere Paean to Pop-Culture Captivity
Kyle Mooney’s sequestered fanboy is at the center of a quirky tale about a misfit’s entry into society and the healing power of creativity
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Robert Abele -
‘Girls Trip’ Review: Malcolm D Lee’s Bawdy, Boozy Comedy Showcases a Stellar Sisterhood
Jada Pinkett Smith, Queen Latifah, Regina Hall and Tiffany Haddish make a delightful quartet in this smart, outrageous look at female friendships
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Elizabeth Weitzman -
‘Landline’ Review: Strong Cast Can’t Save Lukewarm Dysfunctional Family Comedy
Gillian Robespierre and Jenny Slate’s follow-up to “Obvious Child” offers a believably fractured family, but never rises above shopworn genre
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Robert Abele -
‘The Midwife’ Review: Catherine Deneuve Shines in Otherwise Murky Weepie
Built on the relationship between Deneuve and Catherine Frot’s characters, the film is maddeningly vague about that relationship’s history
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Dan Callahan -
‘Endless Poetry’ Review: Alejandro Jodorowsky Mixes Memoir, Metaphor and Mythology
This sequel to “The Dance of Reality” continues the fantastic journey of the legendary filmmaker’s screen autobiography
By
Dave White -
‘To the Bone’ Review: Lily Collins Suffers Anorexia in Shallow Drama
In “Buffy” vet Marti Noxon’s directorial debut, the characters don’t register because the movie has little interest in what’s behind their pain
By
Tricia Olszewski














