Steve Pond is TheWrap’s Executive Editor, Awards and has been writing and overseeing awards coverage on the site since 2009. He spent decades writing about film, television, music and the entertainment industry for the Los Angeles Times, Washington Post, Rolling Stone, Premiere, New York Times, Playboy and many other publications. He is the author of the L.A. Times bestseller “The Big Show,” a behind-the-scenes look at the Academy Awards based on 15 years of unprecedented access to that show.
Experience:
Resides In:
Los Angeles
Education:
Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.
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How Terrence Malick Got His Rapturous, Mystical Look in ‘A Hidden Life’
TheWrap Oscar magazine: “We would continue to explore until the actors feel that they are not performing anymore,” cinematographer Jörg Widmer says
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‘Black Mirror: Bandersnatch,’ ‘First Man VR’ Land Nominations for Producers Guild’s New Innovation Award
The guild also announced nominees in its short-form, sports and children’s program categories
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How ‘The Irishman’ Nailed a Vintage Look: 295 Locations, 28 Sets, Countless Details
TheWrap Oscar magazine: “It called for a tremendous level of detail,” production designer Bob Shaw says
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‘Star Wars’ and ‘Cats’ Arrive, But Awards Season Won’t Notice
Neither film is a real Best Picture contender, though one might figure in a few below-the-line categories and the other will have prime seats for the Razzies
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How Netflix Is Ruffling Feathers With Latest Pricy Awards Season Blitz
Freebies and access define Hollywood this time of year
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How ‘Joker’ Designer Mapped Gotham With a Touch of DC Comics and a Lot of Old NYC Squalor (Map)
TheWrap Oscar magazine: “Whenever I could, I wanted to seed some bits of Joker-ness into the world,” production designer Mark Friedberg says
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‘Little Women,’ ‘Jojo Rabbit,’ ‘The Two Popes’ Land Nominations for USC Scripter Awards
“Dark Waters” and “The Irishman” are also singled out for awards that go to the screenwriters and the authors of the works on which film and television adaptations are based
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Beyoncé and Thom Yorke Make Oscars Original Song Shortlist, Taylor Swift Doesn’t
Elton John lands two spots on the shortlist, and Cynthia Erivo, Randy Newman, Pharrell Williams, Mary Steenburgen and “Parasite” director Bong Joon Ho (!) also make the cut
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‘Maiden’ and ‘Apollo 11’ Lead Oscar Documentary Feature Shortlist
Other nonfiction films to make the list include “For Sama,” “American Factory,” “One Child Nation” and “Honeyland”
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‘Parasite’ and ‘Pain and Glory’ Advance on Oscars Best International Film Shortlist
Others on the 10-film shortlist include “Atlantics,” “Les Miserables,” “Beanpole” and “The Painted Bird”
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‘Joker,’ ‘Once Upon a Time in Hollywood’ Top Golden Reel Sound Editing Nominations
“Game of Thrones” and “Vikings” are the leaders in the Motion Picture Sound Editors’ television categories
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The Oscars Original Song Race: Beyonce, Taylor Swift, Elton John and a Whole Lot of Big Ballads
We have the full list of 75 qualifying songs, and we’ve listened to all of ’em so you don’t have to
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‘A Hidden Life’ Film Review: Terrence Malick Gets His Mojo Back With World War II Drama
Anchored in story in a way his last few movies have not been, this World War II drama is the director’s most monumental work since “The Tree of Life”
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‘Uncut Gems’ Film Review: Adam Sandler Is a Memorable Mess in Safdie Brothers’ Wild Ride
Sandler makes for a hangdog Everyman sliding into desperation in a film by indie cinema’s masters of chaos
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SAG Awards Nominations Analysis: ‘Bombshell’ and ‘Parasite’ Stand Out in a Typically Random Field
With three black film nominees and one nominated ensemble dominated by women, SAG voters may have done barely enough to stave off complaints about a lack of diversity
