Reviews
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‘A Shaun the Sheep Movie: Farmageddon’ Review: Aardman’s Wooly Hero Returns for a Hilarious Close Encounter
Meticulous stop-motion meets clever gags and sci-fi shoutouts for another animated winner
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‘Buffaloed’ Film Review: Zoey Deutch Tears Through Uneven Indie Comedy About Debt Collection
Tanya Wexler’s tale waffles about letting its amoral heroine be an antiheroine
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‘Come As You Are’ Film Review: Uneven Comedy Spotlights Disabled Characters But Casts Able-Bodied Actors
Despite its missteps, this road-trip-to-get-laid comedy offers some surprises, including a rare romantic role for Gabourey Sidibe
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‘The Photograph’ Film Review: Issa Rae and Lakeith Stanfield Tentatively Explore Modern Love
Writer-director Stella Meghie’s gorgeous dramedy explores two generations of women looking to balance romance and career
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‘The Times of Bill Cunningham’ Film Review: Documentary on Famous Photographer Lacks Focus
There’s a lot in the life of the legendary “fashion historian” that this choppy film seems unwilling or unable to explore
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‘After Parkland’ Film Review: Documentary Follows Activists Forged in Tragedy
This examination of the aftermath of a school shooting sometimes takes too broad a view, but the film remains poignant
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‘Ordinary Love’ Film Review: Lesley Manville and Liam Neeson Face Day-to-Day Realities of Cancer in Subtly Powerful Drama
Sensitivity trumps tear-jerking in this beautifully understated look at illness and its affect on a long-running relationship
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‘The Lodge’ Film Review: Disappointing Thriller Confuses Ugliness with Scariness
The “Goodnight Mommy” team returns with what plays like a cheap exploitation of mental illness, despite Riley Keough’s empathetic turn
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‘Earth’ Film Review: Unsparing Doc Assesses Ecological Damage of Large-Scale Projects
Focusing more on images than interviews, director Nikolaus Geyrhalter offers a striking and harsh look at humanity chipping away at its home planet
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‘Come to Daddy’ Film Review: Elijah Wood’s Father-Son Freakout Is Less Than the Sum of Its Parts
Those who don’t revel in midnight-movie oddity and gore for their own sake will find it lacking
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‘Gretel & Hansel’ Film Review: Oz Perkins Turns a Dark Fable Into Even Darker Cinema
Perkins finds new layers of dread and discomfort in the Brothers Grimm tale, further establishing himself as a vital horror auteur
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‘2020 Oscar Shorts: Animated’ Film Review: Nominated Cartoons Run the Gamut from Heartfelt to Heartbreaking
There’s the adorable “Hair Love,” and then four powerful shorts that will put you through the wringer
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‘2020 Oscar Shorts: Documentary’ Film Review: Traditionally Intense Category Wields a Slightly Lighter Touch This Year
There’s tragedy but also hope within this year’s crop of non-fiction short subjects
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‘2020 Oscar Shorts: Live Action’ Film Review: Nominees Represent Various Genres, But All Are Effective
The comedy “The Neighbor’s Window” stands apart from more intense honorees, but all merit a look
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‘The Rhythm Section’ Film Review: Blake Lively Gets Stuck in a Thriller That’s Decidedly Off-Tempo
Logic, excitement and characterization are just some of the missing elements in this bland action dud
