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Creative Content

Reviews

  • ‘Gay Chorus Deep South’ Film Review: Traveling Choirs Shake Up Southern Gentility With Direct Confrontation

    Performers from San Francisco and Oakland invade the Bible Belt with the hope of changing hearts and minds with song

    By

    Dan Callahan
    October 30, 2019 @ 12:52 PM
    Reviews
    12:52 PM
    ‘Gay Chorus Deep South’ Film Review: Traveling Choirs Shake Up Southern Gentility With Direct Confrontation
  • ‘Motherless Brooklyn’ Film Review: Edward Norton’s Gorgeous Noir Exceeds His Grasp

    Exquisite ’50s period detail and relevant Big Apple politics aside, this saga sprawls beyond what the actor-writer-director can handle

    By

    Candice Frederick
    October 30, 2019 @ 8:52 AM
    Reviews
    8:52 AM
    ‘Motherless Brooklyn’ Film Review: Edward Norton’s Gorgeous Noir Exceeds His Grasp
  • ‘Jesus Is King’ Film Review: Kanye West Documentary-Promo Is Both Too Short and Too Long

    It’s too brief a sample of West’s process, and it will probably only confirm what you already think of him, good or bad

    By

    Todd Gilchrist
    October 25, 2019 @ 7:21 PM
    Reviews
    7:21 PM
    ‘Jesus Is King’ Film Review: Kanye West Documentary-Promo Is Both Too Short and Too Long
  • ‘Making Waves: The Art of Cinematic Sound’ Film Review: Documentary Tunes Into What You Hear at the Movies

    Educational and inspirational, Midge Costin’s film traces the cinema’s rich audio history

    By

    William Bibbiani
    October 25, 2019 @ 2:06 PM
    Reviews
    2:06 PM
    ‘Making Waves: The Art of Cinematic Sound’ Film Review: Documentary Tunes Into What You Hear at the Movies
  • ‘Countdown’ Film Review: Killer-Phone-App Horror Film Embraces Its Own Absurdity

    It’s no classic of horror — or even horror comedy — but it’s fun in an eccentric and self-aware way

    By

    William Bibbiani
    October 25, 2019 @ 5:41 AM
    Reviews
    5:41 AM
    ‘Countdown’ Film Review: Killer-Phone-App Horror Film Embraces Its Own Absurdity
  • ‘The Cat and the Moon’ Film Review: Alex Wolff Plays Troubled Teen in His Promising Writing-Directing Debut

    New York tale about new friends and simmering grief shows some uncommon filmmaking sensitivity

    By

    Robert Abele
    October 24, 2019 @ 12:47 PM
    Reviews
    12:47 PM
    ‘The Cat and the Moon’ Film Review: Alex Wolff Plays Troubled Teen in His Promising Writing-Directing Debut
  • ‘Dolemite Is My Name’ Film Review: Eddie Murphy Is a Soulfully Vulgar Blast as Comedy Legend Rudy Ray Moore

    Perhaps the best-ever comedy about the making of a cult hit, it’s mainly a spectacular vehicle for Murphy’s buoyant comic gifts

    By

    Robert Abele
    October 24, 2019 @ 10:30 AM
    Reviews
    10:30 AM
    ‘Dolemite Is My Name’ Film Review: Eddie Murphy Is a Soulfully Vulgar Blast as Comedy Legend Rudy Ray Moore
  • ‘Synonyms’ Film Review: French-Israeli Identity Drama Pushes Protagonist, and Audience, to the Limit

    This autobiographical tale from filmmaker Nadav Lapid (“The Kindergarten Teacher” 2014) is in your face but still effective

    By

    Elizabeth Weitzman
    October 24, 2019 @ 9:31 AM
    Reviews
    9:31 AM
    ‘Synonyms’ Film Review: French-Israeli Identity Drama Pushes Protagonist, and Audience, to the Limit
  • ‘Black and Blue’ Film Review: Naomie Harris Plays a Conflicted Cop in By-the-Numbers Drama

    Urbanworld Film Festival 2019: There’s a provocative tale to be told about the balance of being both black and a police officer, but this movie doesn’t feel like telling it

    By

    Candice Frederick
    October 23, 2019 @ 4:35 PM
    Reviews
    4:35 PM
    ‘Black and Blue’ Film Review: Naomie Harris Plays a Conflicted Cop in By-the-Numbers Drama
  • ‘Sweetheart’ Film Review: Kiersey Clemons Plays a Desert-Island Survivor, Who’s Always Been a Survivor

    A young woman faces issues of race and class — oh, and a sea monster — in this Blumhouse thriller

    By

    Todd GIlchrist
    October 22, 2019 @ 4:30 PM
    Reviews
    4:30 PM
    ‘Sweetheart’ Film Review: Kiersey Clemons Plays a Desert-Island Survivor, Who’s Always Been a Survivor
  • ‘The Current War: Director’s Cut’ Film Review: Benedict Cumberbatch and Michael Shannon Liven Up a Dull History Lesson

    Story of the industrialization of electrical power is the “Schoolhouse Rock” video you never asked for

    By

    Dave White
    October 21, 2019 @ 7:00 PM
    Reviews
    7:00 PM
    ‘The Current War: Director’s Cut’ Film Review: Benedict Cumberbatch and Michael Shannon Liven Up a Dull History Lesson
  • ‘By the Grace of God’ Film Review: François Ozon’s Look at Catholic Child Abuse Puts Victims First

    The French auteur offers an unsparing examination of a scandal but remains even-handed and compassionate

    By

    Carlos Aguilar
    October 18, 2019 @ 4:43 PM
    Reviews
    4:43 PM
    ‘By the Grace of God’ Film Review: François Ozon’s Look at Catholic Child Abuse Puts Victims First
  • ‘The Elephant Queen’ Film Review: Apple TV+ Nature Documentary Hits the Right Tone for Young Viewers

    Chiwetel Ejiofor narrates a tale that doesn’t shy away from, but still delicately handles, the tough realities of nature

    By

    Simon Abrams
    October 17, 2019 @ 3:33 PM
    Reviews
    3:33 PM
    ‘The Elephant Queen’ Film Review: Apple TV+ Nature Documentary Hits the Right Tone for Young Viewers
  • ‘The Cave’ Film Review: Women Are Lifesaving Heroes in Syrian War Hospital Documentary

    Feras Fayyad (“Last Men in Aleppo”) creates a stirring portrait of female doctors in an underground hospital

    By

    Robert Abele
    October 17, 2019 @ 2:52 PM
    Reviews
    2:52 PM
    ‘The Cave’ Film Review: Women Are Lifesaving Heroes in Syrian War Hospital Documentary
  • ‘Greener Grass’ Film Review: Stepford Wives Step Out of Line in Suburban Satire

    UCB vets Jocelyn DeBoer and Dawn Luebbe write, direct and star in an outrageous, candy-colored hellscape

    By

    Elizabeth Weitzman
    October 17, 2019 @ 2:20 PM
    Reviews
    2:20 PM
    ‘Greener Grass’ Film Review: Stepford Wives Step Out of Line in Suburban Satire
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