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SPOTLIGHT:

  • Awards Tracker
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Creative Content

Movies

  • ‘The Man in My Basement’ Director Nadia Latif on How Pandemic Delays Became a ‘Blessing’ for the Film

    TIFF 2025: “We were stopped by the pandemic. We were stopped by the strikes,” Latif says

    By

    Umberto Gonzalez
    September 5, 2025 @ 7:49 PM
    Movies
    7:49 PM
    ‘The Man in My Basement’ Director Nadia Latif on How Pandemic Delays Became a ‘Blessing’ for the Film
  • ‘Steve’ Review: Cillian Murphy’s Netflix Drama Is a Difficult Watch With Strong Performances

    TIFF 2025: Director Tim Mielants exposes the pitfalls of a reform school system in 1990s Britain

    By

    Matthew Creith
    September 5, 2025 @ 7:00 PM
    Movies
    7:00 PM
    ‘Steve’ Review: Cillian Murphy’s Netflix Drama Is a Difficult Watch With Strong Performances
  • John Early Says He Wrote ‘Maddie’s Secret’ in a Fury Almost Out of Necessity: ‘The Blindness Was Deliberate’

    TIFF 2025: “To me, the joke was never that I was playing a woman. The joke was playing an ingenue,” the writer-director-star tells TheWrap

    By

    Tess Patton
    September 5, 2025 @ 5:57 PM
    Movies
    5:57 PM
    John Early Says He Wrote ‘Maddie’s Secret’ in a Fury Almost Out of Necessity: ‘The Blindness Was Deliberate’
  • ‘Charlie Harper’ Filmmakers on Setting Romantic Drama During Obama Era: ‘Such a Different Time’

    TIFF 2025: “I think a big chunk of the audience that’ll see this movie won’t remember that era,” co-director and writer Tom Dean says

    By

    Umberto Gonzalez
    September 5, 2025 @ 5:08 PM
    Movies
    5:08 PM
    ‘Charlie Harper’ Filmmakers on Setting Romantic Drama During Obama Era: ‘Such a Different Time’
  • Barbie Ferreira Says ‘Mile End Kicks’ Director Chandler Levack Was Her ‘Canadian Compass’

    TIFF 2025: The “Euphoria” star explains how she got to know Montreal along with her character in the semi-autobiographical film

    By

    Casey Loving
    September 5, 2025 @ 5:01 PM
    Movies
    5:01 PM
    Barbie Ferreira Says ‘Mile End Kicks’ Director Chandler Levack Was Her ‘Canadian Compass’
  • ‘The Choral’ Review: Ralph Fiennes Can’t Save Overly Sincere, Stuffy WWI Drama

    TIFF 2025: The latest film from Nicholas Hytner and Alan Bennett leaves the ‘Conclave’ star stranded with little to work with

    By

    Chase Hutchinson
    September 5, 2025 @ 4:23 PM
    Movies
    4:23 PM
    ‘The Choral’ Review: Ralph Fiennes Can’t Save Overly Sincere, Stuffy WWI Drama
  • ‘The Eyes of Ghana’ Team Digs Into the Documentary’s Unlikely Origins and Timeless Relevance: ‘It’s a Call to Courage’

    TIFF 2025: The director and producers of the film tell TheWrap about the importance of Chris Hesse’s tireless work to preserve his country’s cinema archives

    By

    Alex Welch
    September 5, 2025 @ 3:16 PM
    Movies
    3:16 PM
    ‘The Eyes of Ghana’ Team Digs Into the Documentary’s Unlikely Origins and Timeless Relevance: ‘It’s a Call to Courage’
  • ‘Christy’ Review: A Spectacular Sydney Sweeney Will Break Your Jaw — and Your Heart

    TIFF 2025: David Michôd’s boxing biopic has great performances, but the film doesn’t do them or its subject justice

    By

    Chase Hutchinson
    September 5, 2025 @ 2:49 PM
    Movies
    2:49 PM
    ‘Christy’ Review: A Spectacular Sydney Sweeney Will Break Your Jaw — and Your Heart
  • ‘The Eyes of Ghana’ Review: Ben Proudfoot’s Documentary Charts Forgotten Legacy of African Cinema

    TIFF 2025: The documentary from “The Last Repair Shop” team has a new subject, Chris Hesse, who proves that nothing can stay hidden forever

    By

    Matthew Creith
    September 5, 2025 @ 2:36 PM
    Movies
    2:36 PM
    ‘The Eyes of Ghana’ Review: Ben Proudfoot’s Documentary Charts Forgotten Legacy of African Cinema
  • Charlie Sheen Explains Why Emilio Estevez and Dad Martin Did Not Participate in His Netflix Doc

    “They saw a rough cut and they both loved it … they fully support this,” the iconic actor tells TheWrap at his “aka Charlie Sheen” premiere

    By

    JD Knapp
    September 5, 2025 @ 2:24 PM
    Movies
    2:24 PM
    Charlie Sheen Explains Why Emilio Estevez and Dad Martin Did Not Participate in His Netflix Doc
  • In ‘Sentimental Value,’ the Nice Things Go Unsaid: ‘We Didn’t Need Any of That Dialogue’

    TIFF 2025: Joachim Trier, Renate Reinsve and Stellan Skarsgård talk about finding quiet respite amid a combative father/daughter relationship

    By

    Casey Loving
    September 5, 2025 @ 1:58 PM
    Movies
    1:58 PM
    In ‘Sentimental Value,’ the Nice Things Go Unsaid: ‘We Didn’t Need Any of That Dialogue’
  • Stephen King Says Lack of Blood in Action-Packed Superhero Movies Is ‘Wrong’

    When it came to “The Long Walk,” the author says his only condition was that teens had to be shown being shot or “don’t bother”

    By

    Raquel Calhoun
    September 5, 2025 @ 1:46 PM
    Movies
    1:46 PM
    Stephen King Says Lack of Blood in Action-Packed Superhero Movies Is ‘Wrong’
  • Snoop Dogg Teams With Horror King Eli Roth for ‘Don’t Go in That House, Bitch!’

    Media Capital Technologies and The Horror Section will finance and produce the new haunted house movie

    By

    Drew Taylor
    September 5, 2025 @ 1:22 PM
    Movies
    1:22 PM
    Snoop Dogg Teams With Horror King Eli Roth for ‘Don’t Go in That House, Bitch!’
  • ‘Orphan’ Review: László Nemes’ Period Epic Is Slow as Molasses

    Venice Film Festival: The 1957-set film from the “Son of Saul” filmmaker takes place in the wake of Budapest’s uprising against the Communist regime

    By

    Ben Croll
    September 5, 2025 @ 1:21 PM
    Movies
    1:21 PM
    ‘Orphan’ Review: László Nemes’ Period Epic Is Slow as Molasses
  • ‘Motor City’ Team Unpacks the ‘Intoxicating’ Challenge of Making an Action Movie With Almost No Dialogue

    TIFF 2025: Shailene Woodley, Ben Foster and director Potsy Ponciroli tell TheWrap why shooting the Detroit-set revenge thriller felt like jamming together as musicians

    By

    Alex Welch
    September 5, 2025 @ 12:52 PM
    Movies
    12:52 PM
    ‘Motor City’ Team Unpacks the ‘Intoxicating’ Challenge of Making an Action Movie With Almost No Dialogue
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