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Creative Content

Movies

  • Epic Gay Drama ‘The Black Ball’ Sparks Bidding War at Cannes

    A24, Netflix and Mubi are circling the Spanish competition film, which drew rave reviews

    By

    Umberto Gonzalez
    May 22, 2026 @ 12:06 PM
    Movies
    12:06 PM
    Epic Gay Drama ‘The Black Ball’ Sparks Bidding War at Cannes
  • Cannes Day 11: A Winner Is Crowned and a Canal+ Controversy Stirs

    Plus, reviews of some of the buzziest movies

    By

    Drew Taylor
    May 22, 2026 @ 11:52 AM
    Movies
    11:52 AM
    Cannes Day 11: A Winner Is Crowned and a Canal+ Controversy Stirs
  • ‘Ladies First’ Review: Sacha Baron Cohen Netflix Comedy Is a Mixed Bag

    Rosamund Pike fittingly steals his thunder in a film about a misogynist who wakes up in a world where gender roles are flipped

    By

    William Bibbiani
    May 22, 2026 @ 11:28 AM
    Reviews
    11:28 AM
    ‘Ladies First’ Review: Sacha Baron Cohen Netflix Comedy Is a Mixed Bag
  • ‘The Birthday Party’ Review: A Familiar Thriller Premise Is Heightened by Great Craft

    Cannes 2026: The French “Histoires De La Nuit” is the latest from “Five Devils” director Léa Mysius, here telling a back-to-basics home invasion story

    By

    Zachary Lee
    May 22, 2026 @ 11:01 AM
    Movies
    11:01 AM
    ‘The Birthday Party’ Review: A Familiar Thriller Premise Is Heightened by Great Craft
  • Marginal MediaWorks Wraps Production on Indie Horror ‘Last Day’ From Kevin Arbouet | Exclusive

    Tanyell Quian, Ellis Hobbs IV, Brandon Gilpin and Royce Johnson make up the ensemble cast

    By

    Loree Seitz
    May 22, 2026 @ 10:37 AM
    Movies
    10:37 AM
    Marginal MediaWorks Wraps Production on Indie Horror ‘Last Day’ From Kevin Arbouet | Exclusive
  • ‘Everytime’ Review: Sandra Wollner’s Delicate, Devastating Portrait of Grief Is One You Won’t Forget

    Cannes 2026: Birgit Minichmayr gives a magnificent performance as a mother grappling with an immense loss

    By

    Chase Hutchinson
    May 22, 2026 @ 10:25 AM
    Reviews
    10:25 AM
    ‘Everytime’ Review: Sandra Wollner’s Delicate, Devastating Portrait of Grief Is One You Won’t Forget
  • SAG-AFTRA’s New AI Protections: What They Mean for Real and Synthetic Actors

    Producers would have to prove that an AI-generated actor like Tilly Norwood brings “significant digital value.” Here’s what that means

    By

    Jeremy Fuster
    May 22, 2026 @ 10:03 AM

    Pro Available to WrapPRO members

    Tech
    10:03 AM
    SAG-AFTRA’s New AI Protections: What They Mean for Real and Synthetic Actors

    Pro Available to WrapPRO members

  • ‘La Gradiva’ Review: Astounding Cannes Award-Winning Debut Is One for the Ages

    Cannes 2026: Marine Atlan’s film already feels like a new coming-of-age classic

    By

    Chase Hutchinson
    May 22, 2026 @ 9:54 AM
    Reviews
    9:54 AM
    ‘La Gradiva’ Review: Astounding Cannes Award-Winning Debut Is One for the Ages
  • ‘Star Wars’ at the Box Office: A Crash Course on a $10 Billion Franchise

    The galaxy of lightsabers and X-Wings helped define the modern film industry, but its future is now in doubt

    By

    Jeremy Fuster
    May 22, 2026 @ 9:00 AM

    Pro Available to WrapPRO members

    Movies
    9:00 AM
    ‘Star Wars’ at the Box Office: A Crash Course on a $10 Billion Franchise

    Pro Available to WrapPRO members

  • ‘The Mandalorian and Grogu’ Launches to $12 Million at Thursday Box Office

    The film adaptation of the hit Disney+ “Star Wars” series is tracking for a $90 million 4-day opening

    By

    Jeremy Fuster
    May 22, 2026 @ 7:53 AM
    Movies
    7:53 AM
    ‘The Mandalorian and Grogu’ Launches to $12 Million at Thursday Box Office
  • ‘Rehearsals for a Revolution’ Doc Acquired by Sony Pictures Classics After L’Œil d’Or Win at Cannes

    Pegah Ahangarani’s documentary traces more than 40 years of her life story in Iran, from 1979 up through the war in 2026

    By

    JD Knapp
    May 22, 2026 @ 6:04 AM
    Movies
    6:04 AM
    ‘Rehearsals for a Revolution’ Doc Acquired by Sony Pictures Classics After L’Œil d’Or Win at Cannes
  • How Disney Got a ‘Mandalorian and Grogu’ Attraction in the Parks in Time for the Film’s Release

    Millennium Falcon: Smuggler’s Run is open now at Disneyland and Disney’s Hollywood Studios at Walt Disney World

    By

    Drew Taylor
    May 22, 2026 @ 6:00 AM

    Pro Available to WrapPRO members

    Movies
    6:00 AM
    How Disney Got a ‘Mandalorian and Grogu’ Attraction in the Parks in Time for the Film’s Release

    Pro Available to WrapPRO members

  • Anne Hathaway Nearly Quit ‘Mother Mary’ After Watching Initial Footage: ‘This Is Really Bad’

    “I don’t know that I can ask people to come to see this,” the actress recalls thinking at the time

    By

    Alyssa Ray
    May 21, 2026 @ 7:17 PM
    Movies
    7:17 PM
    Anne Hathaway Nearly Quit ‘Mother Mary’ After Watching Initial Footage: ‘This Is Really Bad’
  • ‘La Bola Negra’ Review: A Rousing Testament to Queer Love’s Timeless Resilience

    Cannes 2026: Javier Calvo and Javier Ambrossi deliver a decades-spanning odyssey unlike anything you’ve seen

    By

    Zachary Lee
    May 21, 2026 @ 5:59 PM
    Movies
    5:59 PM
    ‘La Bola Negra’ Review: A Rousing Testament to Queer Love’s Timeless Resilience
  • How ‘I Love Boosters’ Became the Best Fashion Film of the Year

    WrapStyle: Oscar-nominated costume designer Shirley Kurata breaks down her creative process for Boots Riley’s latest

    By

    Booth Moore
    May 21, 2026 @ 5:28 PM
    Fashion
    5:28 PM
    How ‘I Love Boosters’ Became the Best Fashion Film of the Year
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