Awards
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‘Pachinko’: Inside the Editing Room for the Game-Changing Season 2 Finale
TheWrap magazine: Showrunner Soo Hugh wants to “make sure we have options in the cutting room — ‘mild,’ ‘medium’ and ‘spicy’ performances,” editor Susan E. Kim says
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Why Transforming Colin Farrell for ‘The Penguin’ Was ‘Harder on Every Level’ Than ‘The Batman’
TheWrap magazine: Makeup designer Mike Marino says the biggest challenge in creating Oz Cobb’s look was fighting that thick head of hair
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How ‘Dune 2’ DP Greig Fraser Captured That Striking Austin Butler Fight Without Extensive VFX
TheWrap magazine: The color-absent sequence was shot using infrared cameras, which the Oscar-winning cinematographer has been experimenting with for years
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What Is VistaVision? How ‘The Brutalist’ Revived a Beautiful but Cumbersome Film Format
TheWrap magazine: Cinematographer Lol Crawley describes the artistic power of this unique film process – and why it’s come back in style
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This Is Not a Real Tube Station: Inside the Harrowing ‘Blitz’ Flooding Scene
TheWrap magazine: Oscar-winning production designer Adam Stockhausen gives a tour of a train station built to get wet
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Are Gender-Neutral Acting Categories Biased Against Women?
An examination of five groups that have implemented the categories in the last three years reveals an unusual tilt
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How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio
TheWrap magazine: Casting directors Tiffany Little Canfield and Destiny Lilly explain how Eugene Levy, Zach Galifianakis, Eva Longoria and others joined the star-studded cast
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‘Heretic’ Opening Scene: How Hugh Grant’s Wallpaper Is One Big Rorschach Test
TheWrap magazine: Production designer Philip Messina walks us through the living room set that kicks off A24’s acclaimed horror film
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Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes
TheWrap magazine: Emmy-winning costume designer Carlos Rosario explains key pieces from the epic series’ stunning wardrobe
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‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans
TheWrap magazine: “We’re not making a documentary, but we’re trying to excavate the essence of Dylan,” costume designer Arianne Phillips says
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‘Dune: Prophecy’ Costume Designer Enjoyed the ‘Tricky’ Task of Creating New Looks in an Existing Universe
TheWrap magazine: Bojana Nikitović breaks down the trial and error process it took to make Ynez’s striking engagement dress
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Claustrophobic Cinematography: Inside the Dark, Cramped Shooting of ‘September 5’
TheWrap magazine: “We thought, let’s do the best we can in these 27 days in what basically felt like a submarine,” Markus Förderer says
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How the 30-Minute Home Invasion Scene Transformed ‘Anora’
TheWrap magazine: Director Sean Baker and cinematographer Drew Daniels break down the film’s centerpiece sequence
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‘Conclave’ Design: Inside the World of Red Robes, Pop-Up Chapels and Instant Espresso Machines
TheWrap magazine: The craftspeople of Edward Berger’s Vatican potboiler take us on a deep dive into the film’s stunning sets, costumes and cinematography
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RaMell Ross and Coralie Fargeat Talk ‘Nickel Boys,’ ‘The Substance’ and Using the Camera as ‘The Eye of Society’ | Visionaries
The filmmakers unpack violence in film and how they approach image and sound for TheWrap’s longform video series
