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Does Hollywood Need to Worry About a Charter-Cox Merger?

By
Sean Burch and Lucas Manfredi

Available to WrapPRO members
TV

Available to WrapPRO members

How Dick Wolf Became a Billion-Dollar Streaming Asset | Charts

By
Christofer Hamilton

News
‘RuPaul’s Drag Race All Stars’ Season 10 Scores Series’ Most-Watched Premiere in 3 Years

By
JD Knapp

TV
At the Upfronts, It’s Sports Here, Sports There, Sports Just About Everywhere

By
Brian Lowry

The Media Front
Netflix’s New Releases Can’t Topple ‘The Last of Us’ on the Streaming Top 10

By
Tom Lowry

WrapPRO
‘Final Destination: Bloodlines’ Set to Continue Warner Bros.’ Box Office Winning Streak

By
Jeremy Fuster

WrapPRO
Inside NBC Cancellations: Why ‘Brilliant Minds’ and ‘The Hunting Party’ Survived and ‘Suits LA,’ ‘Found’ Didn’t

By
Loree Seitz

Inside The Ratings
Why ‘Highlander’ Left Lionsgate for Amazon as the Studio Bets Big on ’80s IP

By
Drew Taylor and Umberto Gonzalez

Movies
“Mission: Impossible – The Final Reckoning” Climbs to No. 1 Title That Audiences Are Most Excited About

By
ScreenShare

WrapPRO
YouTube’s Upfront Challenge: Pitching a Creator Economy to Old-School Madison Avenue

By
Kayla Cobb

WrapPRO
Warner Bros. Discovery’s Strategy for Upfronts and Beyond: Stay Flexible for Buyers, Ad Chiefs Say

By
Lucas Manfredi

Business
‘Mission: Impossible’ Is the Perfect Symbol for Paramount’s Impossible Mission

By
Brian Lowry

The Media Front
Sony Warns of Potential $686 Million Profit Hit This Year From Trump Tariffs

By
Sean Burch

Movies

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